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Top 20 Singles of 2020

12/10/2020

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Mainstream country music has continued to delve further into patterns of repetition, relying on inauthentic productions and lifeless songwriting. Amid the storm of mundanity that is country radio, some voices have remained compelling and dedicated to crafting art worth not just listening to, but remembering. 

This year's group is an eclectic bunch, made of newcomers, established stars, and comeback stories. It's a group that showcases risk taking in an avenue that generally pushes back on it. Most importantly, these are tracks that are likely to hold the test of time and encompass the traditions of country music, whether in storytelling or style. Enjoy our top 20 radio singles of 2020, and have a very happy holidays!
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#20
Brett Eldredge, "Gabrielle"

As mature as Brett Eldredge has ever sounded. His vocals are given room to shine against a crisp and compelling production scheme that blends an almost AC-pop sound with more traditional elements. It's a reflective track that finds Eldredge putting his talents to good use. Refreshing. - Markus Meyer
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#19
The Chicks, "Gaslighter"


It had to grow on me, but the Chicks’ big comeback single represents just about everything you’d hope for from them – a fiery, blustering presentation, a biting indictment of a certain someone explored even further on the album it stems from, and an all-around infectious hook. I wanted more from said album, but this was a very welcome return. - Zackary Kephart
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#18
The Chicks, "Sleep at Night"

Dynamic, clever, and well-structured, evoking equal parts regret, sadness, and anger with a remarkable performance from Natalie Maines. A standout from an album with strong high points. - MM
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#17
​Carly Pearce, "Netx Girl"

I’m not as enamored with this as most other critics – if anything, I prefer “I Hope You’re Happy Now” and other cuts off her self-titled album - but I do appreciate the fresh direction Carly Pearce takes here. The presentation is organic and solid, the groove is prominent, and it’s as good of a kiss-off track as we got this year, warning that next girl to not make the same mistakes she did. I’m looking forward to hearing where Pearce takes this sound in 2021. - ZK
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#16
​Jon Pardi, "Ain't Always the Cowboy"

Heresy as it is to say, Jon Pardi has been inconsistent for awhile now, at least, to me. This isn’t the case, though, and beyond the clever George Strait nod and tones I like hearing in a country song, there’s a maturity to the breakup sentiment, where Pardi almost sounds jubilant in getting to buck the titular stereotype. Good stuff; I’m happy (and genuinely shocked) it actually became a hit. - ZK
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#15
Kelsea Ballerini, "hole in the bottle"

For anyone who’s read our “worst singles” list, I should offer a clarification: there’s nothing wrong with good-time party music, and sometimes the escapism it offers is the first step to finding genuine happiness. The worst examples of those types of singles this year were just dour and dumb. This, on the other hand, flips the script a bit. Kelsea Ballerini is reveling in her misery by framing it with a self-aware wit, where she’ll only take things far enough to have some lighthearted fun and nothing more. I wish the ballerini version had become the hit, but for just a small moment in time this year, there was an actual country song that was infectious and smart. - ZK
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#14
Miranda Lambert, "Bluebird"

All of Lambert's best qualities on display. Quirky and accessible, clever writing and a memorable hook. Full of charm and charisma with a production that balances innovation with rootsiness. Well deserving of its hit status. - MM
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#13
Ashley McBryde, "Martha Divine"

Impeccable storytelling with a roaring chorus and performance. Highly impressive effort from an artist who so effectively balances sonic elements with intricate and compelling writing. Emblematic of all McBryde's greatest artistic strengths. - MM
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#12
Maren Morris, "To Hell & Back"

Between her involvement with the Highwomen project and this single, I’m starting to come around on Maren Morris, though I’m still going to temper those expectations. At any rate, “To Hell & Back” is her best single yet, so of course it’s one that hasn’t moved the needle at country radio. *Sigh* But beyond the organic groove bolstering the sentiment, there’s something to appreciate in a love story that doesn’t try to overdo it. This couple has accepted each other for who they are, for better or worse, and considering the writing plays with a bit of a Gothic tinge, it was another single that should have been so much bigger than it was. - ZK
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#11
Luke Combs feat. Eric Church, "Does to Me"


By far Luke Combs' finest effort to-date. Highly detailed while remaining universal, and rooted in sentiments that, to some extent, ring true for everyone. A big production scheme that never feels bombastic with a performance from Combs that ties things all together. Church adds a nice dose of wisdom in the bridge. Superb track. - MM
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#10
Zac Brown Band, "Leaving Love Behind"


Zac Brown Band's The Owl was an atrocious effort, with "Leaving Love Behind" serving as an easy standout. It finds them in top form, with a moving lyric, a sparse piano production, and a compelling performance from Brown. A mature, thoughtful effort that finds them at the height of their abilities. - MM
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#9
​Runaway June, "We Were Rich"

Either version is great, and though it’s another case of a country radio single that is far from a hit here, this year specifically, it should have been. The sentiment of realizing you have it so much better than others even when you don’t have much resonated so much more this year than it did upon its initial release in 2019, and while no member of the band – past or present – wrote this, they perform it like they did. Best of all, though, it’s a reminder that, while poverty is an inescapable reality for some, it need not define who they are. - ZK
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#8
Miranda Lambert, "Settling Down"

A remarkable balance of hope, contemplation, and melancholy that finds Lambert in peak form as a performer. An exellent hook and a melodic structure that begs for repeat listens. Lambert's best single in years, which says something for an artist of her consistency and excellence. - MM
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#7
Taylor Swift, "betty"


In my view the most impressive single of the year. Well-structured and with excellent character and perspective development, "betty" showcases Swift's knack for storytelling and evocation in a way that puts her well above her peers. The harmonicas and acoustic backdrop make for an irresistable record. Just so, so good and is perhaps Swift's best ever country release. - MM
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#6
Mickey Guyton, "Black Like Me"

Arguably the most important song of 2020 – a call for empathy from white listeners to understand the struggles Mickey Guyton – as well as others in the black community – struggle with daily. The specific proof for Guyton is evident in country radio’s chilly reception toward her thus far, but there’s also the struggles we don’t – and haven’t – seen that define this recording. It’s easy to say a recording resonated even more strongly in a given year, but in 2020, this absolutely did. It’s not the point where anyone should have jumped on the Guyton bandwagon, but hey, better late than never. Let’s keep it going. - ZK
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#5
Eric Church, "Stick That In Your Country Song"

Whereas Eric Church’s Desperate Man album era found him at a loss for words for how to navigate the current cultural climate, “Stick That in Your Country Song” is the result of him finding what he wanted – and needed – to say. Granted, the actual message is a bit scattered, but for anyone who saw our “worst of” list, it’s refreshing to hear an artist fed up with songs and artists that say nothing, coming from one who is ready to hold them accountable. It’s Church at his angriest, and we’re all the better for it. - ZK
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#4
Ingrid Andress, "The Stranger"

Andress once again shows her vocal and songwriting prowess on "The Stranger". It's an interesting take on a fizzling relationship that feels both polished and earnest. Memorable hook, electric performance, and a lush backdrop makes for another killer record from one of the most promising talents in mainstream country music. - MM
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#3
Chris Stapleton, "Starting Over"

Bombastic, no, but tremendous nonetheless. Stapleton dials it down here, but the simplicity works. It's a refreshing, breezy track that hits all the intended notes. Stapleton is in top form and the melody hooks you in instantly. Exellent stuff and a nice welcome back for Stapleton. - MM
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#2
Eric Church, "Hell of a View"

Scattered and inconsistent as they were, Eric Church’s run of singles this year was, at the very least, fascinating. It’s ironic, then, that his best single of the year was one of his most straightforward and simplest yet. It’s a fairly standard tale of devotion, but one bolstered by its deeper production balance that offers a surprising amount of ragged punch to the simultaneous joy and anguish of “making it” thus far. It’s a song that sounds weary yet still has the energy left to push on through, and if that wasn’t far too relatable this year, I don’t know what was. - ZK
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#1
Mickey Guyton, "What Are You Gonna Tell Her?"

I guess I understand the cold reception this received from country radio in April, given the subject matter and how they’ve generally received Mickey Guyton thus far. I mean, I guess I should say I don’t get it, so much as I’m just not surprised. But now, in the aftermath of the year she had? There’s no excuse. Yet “What Are You Gonna Tell Her” rolls on anyway, a brutally honest blow to any woman who’d dare dream for higher aspirations … because society has failed them time and time again, and you can’t blame someone who gives in to fatigue after maintaining hope for so long. But it’s also a bit more universal in its message of sex and race, not to mention that hard work isn’t necessarily the key driver for success anymore for many, if it ever really was. In an industry where it’s been proven – with data, I might add – that the deck is stacked against female artists and artists of color, especially at country radio, it hits a little too hard, especially when it’s, you know, Mickey Guyton behind the microphone. It’s the best single of the year that wasn’t a radio hit - it never even charted, actually - and that’s proof enough of why we need to try and do better in 2021. - ZK
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Single Review: Miranda Lambert - "Keeper Of The Flame"

3/27/2018

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While I have my doubts that this song will be a comeback hit for Miranda Lambert, I enjoy the fact that she doesn't care about that anyway. 

"Keeper Of The Flame" will not be for everyone, but it's a solid song that shows Miranda Lambert continue to be the artist she wants to be. A song about carrying the torch for the legends who've influenced you and influencing other artists is a song Country music surely needs right now. However, I'm not even sure it's really about that. Lambert isn't really saying that she alone is carrying that torch. Instead, she's essentially saying that she's her own artist, and she hopes to be an example to younger artists looking to follow their dreams. Basically, that flame is about staying true to who you are. 

The song has a very atmospheric, soft-rock vibe to it with the smoother electric guitar, and by the time we reach the chorus, it has this large, anthemic swell to it that helps to reinforce the message. While I think Lambert is holding back a bit vocally, especially on the verses, this song is truly something I think she needed to release. 

Grade: B+
Listen: "Keeper Of The Flame"


Author: Zackary Kephart

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Top 20 Singles Of 2017

1/6/2018

1 Comment

 
After our Worst-Of lists yesterday, let's take a look at what dominated our year musically with our Best-Of list! Here's to another year of great music in 2018!
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#20
Brothers Osborne, "It Ain't My Fault"


It’s not the most intelligent single of the year, but what it lacks in that area it more than makes up for in boot stomping energy and attitude. John Osborne’s fiery guitar solo is pretty killer, and to hear TJ Osborne sing in his usual lower register helps to give this song a lot of gritty passion. Heck, they're already dethroned Florida Georgia Line as the vocal duo of the year, and between that and their new single, "Shoot Me Straight", I for one am VERY excited to see what 2018 has in store for Brothers Osborne. - Zackary Kephart

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#19
​Midland, "Drinkin' Problem"

There was no bigger debut artist on Country radio in 2017 than Texas trio, Midland. Their debut single reached #1 on Mediabase, which isn’t shocking for a Big Machine Records promoted artist, but considering “Drinkin’ Problem” is a total throwback country song, it stood out on 2017 country radio.

It’s a typical country song about drinking from the title and first few lines, but once the chorus starts, the listener realizes that this song’s lyrical cleverness was hard to match from other 2017 singles.

“They keep on talkin', drawing conclusions, they call it a problem, I call it a solution”

It’s not a good song because it was a traditional song on 2017 radio. It’s a good song because it’s execution in instrumentation, production and lyrics were excellent and Midland slides into our 2017 best of list. - Chris Baggs



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#18
​Luke Combs, "When It Rains It Pours"

One listen to the second single from Sony Music Nashville artist Luke Combs and you’re immediately transported back to early 2000’s country radio; its sound and subject reminds me of country radio from 15 years ago, especially Blake Shelton’s “Playboys Of The Southwestern World,” which hit the top 30 in 2003…only Luke’s was a huge #1 single in 2017.

“When It Rains It Pours” is a descriptive story about a narrator that hits a massive streak of good luck after his girl leaves him. The song’s series of events reads more the stuff of fantasy but songs that can transport the listener to another world, are a winner in my book. Country music has its share of making the most out of a breakup. Combs’ hit single proves a funny song can also crack our best -f lists. - CB
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#17
​Charlie Worsham, "Cut Your Groove"


Yeah, it’s kind of a sappy, crappy motivational “do your thing” song. However, much like Eric Church did with “Record Year”, Charlie Worsham frames a familiar concept around musical language, and that makes for more interesting examples, one-liners and overall flow as well. Charlie also went a little more soulful for his latest album, and that often resulted in songs with very luscious, sometimes elegant production. With those crisp horns and solid acoustic melody bolstering the song, it's a shame that this couldn't have been a hit, because it's one of Charlie's best. - ZK

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#16
​John Mayer, "In The Blood"


​John Mayer gave us one of the biggest surprises of the year, delivering a top-flight country single to radio. While not a success commercially, "In the Blood" is an exceptional display of depth, emotion, and authenticity, depicting familial bonds in relation to personal profile. Backed by a largely acoustic production and a stellar vocal, Mayer absolutely knocked this one out of the park. - Markus Meyer

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#15
Brett Young, "In Case You Didn't Know"

We all know the saying, “where words fail, music speaks,” but there aren’t many songs as good at letting a person let their significant other know how they really feel, than Brett Young’s mega-hit “In Case You Didn’t Know.”
“Baby I know that you've been wondering, mmm, so here goes nothing, in case you didn't know, baby I'm crazy bout you, and I would be lying if I said, that I could live this life without you, even though I don't tell you all the time, you had my heart a long, long time ago, in case you didn't know”.

The song’s production and instrumentation don’t overdo it, which is appropriate for this track. I know it says exactly how I feel about my girlfriend and I’m sure millions of others felt the same. His debut album isn’t perfection, but this song’s message is. - CB
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#14
Trace Adkins, "Watered Down"


If you were to look in a dictionary and look up "hit and miss", I'm pretty sure you'd see a picture of Trace Adkins. While he has released a lot of questionable singles in his time, songs like "Watered Down" also show that Trace has recorded some of the best the genre has to offer. The production is crisp and warm, inviting you in with the tasteful instrumentation. Moreover, it’s refreshing to hear someone looking forward to the days ahead rather than try and capture their youth. That's not even the only time we'll see that on this list! Regardless, Trace was on point with this track, and it deserves to be praised. - ZK

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#13
​Midland, "Make A Little"

Midland make’s our list again with the sophomore single from their debut album, On The Rocks.
This catchy tune reminds those who remember, the days of 80’s and 90’s Country radio; perhaps something Dwight Yoakam would record back in his prime.
“Make a Little” doesn’t come close to reinventing the wheel from a lyrical standpoint but it’s subtle charm in those lyrics and throwback sound, which doesn’t rely on drum loops or a throbbing backbeat, makes the listener realize there is a place on mainstream country radio for actual country music. Get up and two-step! - CB
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#12
Carly Pearce, "Every Little Thing"

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​Carly Pearce broke onto the scene this year with what is an exceptional single in "Every Little Thing". Atmospheric and raw, the record thrives in exuding emotion. Pearce demonstrates strong vocal and evocative talent, making for a thoroughly enjoyable record from an act to keep an eye on. - MM

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#11
​Runaway June, "Wild West"


We’ve heard the western clichés before and to be honest, “Wild West” by Wheelhouse Records trio Runaway June hits on most of them.
However, the rest of the track is pretty close to perfection as a 2017 country radio single can get. The song thrives on a sound that is reminiscent of early-to-mid 2000’s country radio, led by plenty of steel guitar and fiddle, which take a listener back to old western America.
But the song thrives the most with its superb melody and beautiful vocals by lead vocalist Naomi Cooke. Her delivery is spot-on with every note and make it an easy entry into our best list. - CB


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#10
​Brad Paisley, "Last Time For Everything"


What sucks about this year's list is that a lot of these songs signal the beginning of the end for some artists, and unfortunately when it comes to his chart success, Brad Paisley is in that club. Simply put, this deserved far better than its paltry top twenty peak. The song is also one of his best singles in quite some time. It tackles the feeling of life never slowing down from a unique perspective with a great hook, and considering Brad’s own career, a lot of the references made here (such as the Prince one) feel earned. Radio might not appreciate you anymore, Brad. However, if you keep putting out quality stuff such as this, I'm sure the fans will reward you. - ZK

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#9
Montgomery Gentry, "Better Me"

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​Enhanced by the tragedy surrounding Troy Gentry earlier in 2017, "Better Me" is absolutely one of the duo's strongest efforts in some time. A lesson is self-reflection and improvement, "Better Me" is a record that exudes hope. Backed by a restrained country-rock production, it's well worth your time to give this one a listen. - MM

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#8
Lee Brice, "Boy"


Lee Brice could have easily played his comeback as safe. After all, his last two singles didn't connect nearly as much as past hits. However, Lee Brice returned in a big way this summer when he released "Boy". Sure, the theme is simple and has been done numerous times in Country music. However, it’s not so much reassuring his boy through false promises that everything’s going to be magically alright everyday. It’s about reassuring him that there are natural phases of life that he’ll experience as well as be able to watch when he has his own boy. The song even gives enough of a clue to insinuate that the learning process doesn’t end at parenting. Welcome back, Lee. It's good to have you. - ZK

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#7
Chris Stapleton, "Broken Halos"


Chris Stapleton takes a lyric of depth and emotion, and makes it truly exceptional with his powerhouse vocal. Wrapping a song about remembering those that have passed with a passionate vocal and an acoustic production, "Broken Halos" is an absolutely outstanding record. - MM​

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#6
​Luke Bryan, "Fast"

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​What Luke Bryan gave us with "Fast" is one of his finest moments. It's a reflective record that tells us to live life to the fullest, because it can fly by. Bryan puts in a top-notch vocal performance, and is enhanced by a melancholic, restrained production. This is the stuff Bryan should be producing with his platform as an A-list mainstream act. - MM

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#5
Miranda Lambert, "Tin Man"

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"Tin Man" finds Miranda Lambert at her absolute best. Vulnerable, intelligent, and impassioned, it's a record that encompasses country music's best traits. As good as her rocking up-tempos can be, Lambert is an artist that's at her best when subdued, and nowhere is that better showcased than here on one of the year's finest moments. - MM

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#4
Alan Jackson, "The Older I Get"


As artists grow older, we don't expect as much out of them. After all, they already gave us their best during their prime. More often than not though, artists will sometimes release quality singles that match up with their best long after the spotlight is gone. Alan Jackson hasn't had a number one hit in nearly a decade (wow does that hurt to say), but as he sings about in "The Older I Get", he's not bitter about his days ahead. He's looking forward to them in a way that puts a different spin on the whole "growing older" theme in country music. Alan Jackson is the artist we don't deserve, and yet our lives are instantly made better by his music. - ZK

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#3
​Maren Morris feat. Vince Gill, "Dear Hate"


While this may be the only song that was never an “official” single, we'd be remiss not to at least mention it. 2017 was marred with a diverse number of tragedies which unfortunately included mass shootings. Granted, nobody can stop a natural disaster, but man-made ones such as those shouldn’t be allowed to happen. Maybe it is “cheesy” to say that love’s going to conquer all at the end of the day, but at the end of the day when we’re reminded of the life we’re given and the people who we’ve been blessed to know, you certainly can’t say hate is going to dominate our lives or choose how we live. That’s the message of this song. - ZK

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#2
​Thomas Rhett, "Marry Me"

​Despite a reputation as a run-of-the-mill bro, Rhett demonstrated true growth with his 2017 album Life Changes, and with "Marry Me", we have the finest track off said album. A devastating song with a clever twist, revealing that the narrator failed to act on his love for the woman in question. With a crisp pop-country production backing it up, and evocative performance from Rhett, we get what was my favorite single of the year, and the best of his career to-date. - MM

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#1
Jon Pardi, "She Ain't In It"


Not many artists were hotter on Country radio in 2017 than Jon Pardi of UMG Nashville.
Pardi followed up a couple huge upbeat #1 singles (“Dirt On My Boots” and “Heartache On The Dance Floor”) with the fourth single from California Sunrise, a powerful throwback sounding tune, with painful lyrics that addresses a man trying to eliminate the memory of his lost relationship.
The song relies on laidback production and a haunting fiddle, accompanied by a steel guitar solo that George Strait would be proud of. Pardi’s vocals aren’t the best but they’re unique, and his delivery of this song drives it home as one of the year’s best singles. - CB



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Worst 20 Singles of 2014

12/23/2014

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Hello folks, and welcome to the 2nd annual This Is Country Music 20 Worst Singles of 2014 list. This year, in addition to myself and sabre14, we have Pulse Music Board member zack97 contributing to our list. Without further ado, here are the twenty worst radio singles of 2014, as voted on by TICM contributors. Stay tuned for our Best Of list, coming soon!
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#20
Little Big Town, "Day Drinking"


After "Your Side Of The Bed" and "Sober" under performed at radio, it was obvious that Little Big needed something upbeat and fun in the vein of "Pontoon" to catapult themselves back into top five territory. With that we have "Day Drinking". This song is lazy and annoying, the whistles throughout make it hard to enjoy, and do we really need more songs about how fun drinking is? It's an overdone topic as is, throw in a grating production and you have a mess of a single. - zack97

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#19
Darius Rucker, "Homegrown Honey"


While "Homegrown Honey" was already a dull, unoriginal song to begin with, what makes it even worse is the fact that it's such a blatant attempt to return to radio after "Miss You" bombed. Bro-country is dead dude, get with the times. "Ooo, I dig the way that you move" is an embarrassing line. *sigh* - Markus Meyer 

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#18
The Band Perry, "Chainsaw"


While "Chainsaw" is fairly unoffensive upon first listen, it grows worse upon each listen. When The Band Perry is on their game, they're interesting, and they hold up after repeated listens. "Chainsaw" is neither, it's boring, and it's grating. - MM

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#17
Eric Paslay, "Song About A Girl"


This song spends three and a half minutes telling you what this song is not about but at the same time never going in depth about what the song "is" about. I'm sorry but Eric's song about "nothing", or at least nothing we haven't heard a million times before about a heartbreak queen rockin' the jeans before, if you ask me, and one I wish was never a single. - sabre14

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#16
Miranda Lambert and Carrie Underwood, "Somethin' Bad"


I expect better from both of these two. Lambert and Underwood have produced some of the most compelling material of the past five years, and this is what we get from their duet? Disappointing. This is all style, no substance, it's loud for the sake of being loud, and worst of all, it's pointless. Somethin' bad indeed. - MM

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#15
Sam Hunt, "Leave the Night On"


This song shouldn't even qualify for the worst "country" song. It's anything but country. If you called it pop or R&B, then you'd be right. Now, I'm no staunch traditionalist, but come on. A line has to be drawn somewhere. The lyrics are nothing special either, just a song about a guy who is spending all night with a girl, hmm, where have we heard that before? Evolution of country? Please.
- zack97

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#14
Brantley Gilbert / Justin Moore / Thomas Rhett, "Small Town Throwdown"


This obnoxious piece of trash is easily the worst song on what was an otherwise brilliant album in Just As I Am. It's cliched, it's loud, and Thoma Rhett sounds terrible with his exaggerated twang. No thanks. - MM



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#13
Maggie Rose, "Girl In Your Truck Song"


Maggie, why? When you put out three dynamite songs out to radio that barely make a dent with them its frustrating. So she thought that combining the names of a lot of famous "bro country" hits("Thats My Kind Of Night", "Chillin' It", etc.) would be a great idea. Unfortunately for her, this song doesn't work at all, largely due to the fact that the lyrics are lazy and stupid. Seriously Maggie. get on Maddie & Tae's side. At least they mentioned the bro songs cleverly and stood up for the females. - zack97

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#12
Florida Georgia Line feat. Luke Bryan, "This Is How We Roll"


With this song came the same song and dance (literally) with FGL. A catchy melody but God awful lyrics. The overproduction is nothing new with them but the rapping by Tyler during the one of the song's verses was (on radio at least) and easily the worst part of the song. - sabre14

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#11
Rascal Flatts, "Payback"


Sure, Rascal Flatts have had some bad singles over the years, but this one takes the cake. Gary LeVox sounds laughably bad here, as does everything else about this obnoxious, immature, and just plain bad "song". Apparantely country radio agreed, as it missed the top 20. You're better than this guys. - MM

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#10
Jason Aldean, "Burnin' It Down"


The only country sounding thing to me in "Burnin' It Down" is Jason's vocals. This is more Pop than Kelleigh's song which is saying something. The production has more of a Hip-Hop and R&B feel than a country one. The lyrics are another look away moment. There's nothing "offensive" or "taboo" about saying "Naked in my bed". But the reason most don't use it, is because it sounds, well, stupid. Probably my least favorite Aldean song but most obviously disagree as it topped the Mediabase and Billboard charts for multiple weeks... - sabre14

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#9
Kelleigh Bannen, "Famous"


I know country radio is trending more into the Pop sound as time goes on but "Famous" takes it to a new level. The chorus made me though I had tuned into a Hot AC station when it first came on the radio. Quite the change from Kelleigh's country sounds on her first single, "Sorry On The Rocks". Kelleigh has immense talent but "Famous" masks it. - sabre14

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#8
Chris Lane, "Broken Windshield View"


A song about small town pride with an obnoxiously loud chorus? Yeah, that pretty much sums up this song. It's obvious he's trying to cash in on the bro crowd like Cole Swindell and Chase Rice did, but unfortunately, he's a little too late. Try again with a better song next time Chris. - zack97

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#7
RaeLynn, "God Made Girls"


People wanted more females in country music so god made Raelynn....unfortunately, neither she, nor this song are the remedy to the problem. "God Made Girls" basically states that women were made to be subservient to men. Great, nice step forward right? Ugh, to back it up too, her voice sounds so annoying that it makes this almost unlistenable. 
- zack97

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#6
Jake Owen, "Beachin'"


Sometimes I don't mind talking verses in songs, even country songs. They can be executed. Take "The Devil Went Down To Georgia" and "The Talkin' Song Repair Blues" as exapmles. But "Beachin's" verses comes off as awkward and unnecessary. I actually don't mind the production and the chorus is passable, but the verses absolutely kill any chance of being decent

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#5
Joey Hyde, "Get It On"


This is a perfect example of what not to release as your debut single. "Get It On" is uncreative in every way, shape and form. The lyrics are unoriginal. The instrumentation is repetitive, and the production is overbearing. Not a good first step into country radio. - sabre14

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#4
Florida Georgia Line, "Sun Daze"


The boys of Florida Georgia Line took it a little too far with this song. Getting stoned is nothing new in country music, but the problem with this song is that the entire song talks about NOTHING other than getting stoned, oh and getting laid (classy). I don't think anyone will be able to forget the infamous "pink umbrella" line. Ugh. - zack97

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#3
Dylan Scott, "Mmm, Mmm, Mmm"


We've heard this type of song 100000 times. A guy thinks a girls so hot that he wants to express that by showing how it makes him feel and how country he is. This song is one of the worst examples of this, nothing but cliche country boy lyrics that sound so stupid. The title doesn't even have an actual word in it. - zack97

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#2
Tim McGraw, "Lookin' For That Girl"


When I first heard this song, something happened that had never happened to me before - my jaw dropped in disbelief. I couldn't imagine that this was indeed Tim McGraw. It sounded like some awful computerized auto-tune machine sputtering out odd and strange lyrics. I never thought Tim would outdo "Truck Yeah" in the horrendous department but he did so with flying colors. - sabre14



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#1
Jerrod Niemann, "Donkey"


I have nothing to say that hasn't already been said a million time about this atrocity. This is embarrassing to Jerrod Niemann, his label, the songwriters, the producer, and country music. Everything about this is just terrible. An absolute no-brainer for my most hated single of 2014. Jaw droppingly bad. - MM

0 Comments

Single Review: Miranda Lambert & Carrie Underwood- "Somethin' Bad"

7/27/2014

3 Comments

 
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Oh the potential this duet held. Two of country musics elite vocalists pairing together could have been something for the ages. Both of these artists recent output has been nothing short of stellar. And we get... this? How disappointing.

This was a golden opportunity to get lyrical quality back on country radio. These are the artists behind recent masterpieces such as "Mama's Broken Heart" and "Two Black Cadillacs", not to mention two of the only female A-listers. Why did they have to record a bad-girl anthem? And not a very good one at that. It doesn't even really say anything, it's pretty much a feminized Brantley Gilbert bad-ass rocker. 

I will give it this: despite the obnoxious production, below average melody and hollow lyrics, Miranda does sound pretty good here. There was the potential here for a shout-fest but that doesn't happen. That said, I'm not a fan of Underwood on this one. Never been a fan of her performances on her bad-girl stuff before ("Undo It", "Before He Cheats", "Last Name") and "Somethin' Bad" does nothing to change my feelings on that. Too exaggerated for my liking.

*sigh* What could have been legendary adds up to nothing more than irritating radio filler. How disappointing.

Grade: C-
Listen: "Somethin' Bad"


3 Comments

Top 20 Best Singles of The Year

12/17/2013

0 Comments

 
Well, after that last list left me wanting me to vomit, I think it's time for a little positivity around here. May I present you, TICM's 20 best singles of the year.

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#20
Autumn Hill, "Can't Keep Waiting"


 This is my absolute favorite Canadian country artist. One of the best written songs in either nation this year. Autumn Hill is such a talented vocal duo. This song leans contemporary for sure, but it might have been the best song on their album. Which is saying a ton. -S14


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#19
Kellie Pickler, "Little Bit Gypsy"


A toe-tapping beat propels this fun, melodic number, which boasts an infectious
chorus: both lyrically and musically. Kellie Pickler's personality shines
through thanks to her perky vocals that fit the song like a glove. -IC


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#18
Joe Nichols, "Sunny and 75"


Perhaps his most modern, but also arguably his best. Nichols puts in a Grade-A vocal performance, backed up by a cool as heck arrangement. -MM


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#17
Blake Shelton, "Mine Would Be You"


That last line... wow. I mean, nothing against the killer vocals or production but seriously. -MM

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#16
George Strait, "I Got A Car"


When "I Got A Car" starts, you automatically think to yourself if your a true country fan, "Yeah, I'm gonna love this". The melody is classic George. If this was released in 1992 you would never know the difference. And of course the clever hook. "I guess I hadn't thought it through that far... But I got a car". -S14


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#15
Little Big Town, "Your Side Of The Bed"

The chemistry between real-life couple Karen Fairchild and Jimi Westbrook
during the vocal duet is unmatched. But its the soaring four-part harmonies,
which are put front-and-center on this quietly-produced ballad, that seal the
deal for this powerful song.  -IC

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#14
Sara Evans, "Slow Me Down"

Starting with a hook that packs a punch, Sara Evans elevates the song even
further with her effective vocal performance on the big chorus. The use of
plucked strings puts a unique stamp on its sleek, modern feel. -IC

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#13
Easton Corbin, "All Over The Road"


Breezy, fun and 100% country. Reminiscent of King Georges best work. -MM

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#12
David Nail, "Whatever She's Got"

 One of the most infectious melodies of the year makes great use of
the bouncing banjo. Coupled with equally catchy lyrics and sung by one of
today's most gifted male country vocalists, it is a bright spot among other
lightweight tunes. -IC

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#11
Dan + Shay, "19 You+Me"


Two words, "The Chorus". Shay Mooney's vocals are picture perfect, and the imagery is amazing as well. -S14

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#10
Little Big Town, "Sober"


Kimberly finally gets a lead vocal, and damn did they pick a good one to give her. Beautiful song and Jay Joyce's less-is-more approach paired with Kimberly's killer vocal makes this by far LBT's best single to date. -MM

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#9
Ashley Monroe, "Like A Rose"

Ashley Monroe's autobiographical tune hits hard on all fronts. Sharp,
detailed lyrics combined with twangy vocals over a simple, neo-traditional
production treatment makes for an enjoyable listen. -IC

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#8
Tebey, "Til It's Gone"

I believe that Tebey wrote one of the best chorus' I've ever heard. The sad truth of life is until something is finally taken away from you.. Then you would appreciate it, and you would just want another chance at it. Unfortunately life doesn't work that way. 
-S14

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#7
Maggie Rose, "Better"

Maggie Rose turns in a beautiful and passionate vocal on a song that
thrives on her emotional delivery. The lyrical subject matter is refreshing and
the production is well done, making for a very tight piece of contemporary
country. I can't get enough of "Better" and it is easily my favorite country
single of 2013. -IC

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#6
Chris Cagle, "Dance Baby Dance"

Can you believe this is Chris Cagle singing this tear jerking father-daughter ballad? The same guy that sang hillbilly rock anthems like "Got My Country On"? I'm not sure I believe it, but Cagle has given us my favorite single of 2013. -MM

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#5
LoCash Cowboys, "Best Seat In The House"

 If you didn't know who the artist was, I can guarantee you would say "Wow.. That's a great song". Forget what LoCash has done before in the past. This touching father son ballad was my favorite single of 2013, and a song that every person that has lost their dad should hear. -S14

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#4
The Band Perry, "Don't Let Me Be Lonely"

Crafty songwriting and a charismatic performance make this a standout
among the group's strong catalog. The fluctuating energy level of the song plays out well with the lyrics, with the slow roll of the verses becoming an event at the chorus, only to draw back for an effective bridge. -IC

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#3
Miranda Lambert, "All Kinds Of Kinds"

Lambert's joyful performance backed up by a unique arrangement and a killer lyric about being yourself makes this Lambert's finest single since "The House That Built Me". -MM

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#2
Gary Allan, "It Ain't The Whiskey"


Country music was built on this kind of music. Gary's vocal delivery along with the haunting feel to it, makes this one of the best songs he has ever recorded. -S14

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#1
Kacey Musgraves, "Follow Your Arrow"

TICM's best single of 2013 is Musgraves' lighthearted anthem to being yourself, despite what others think. Wether that be same sex marriage, smoking pot or just not giving a damn. It's a remarkable song, executed perfectly by one of the top young talents in music. Bravo Kacey, bravo. -MM

0 Comments

2013 CMA Award Predictions

11/2/2013

1 Comment

 
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For this set of predictions, myself and new writer sabre14 will be making our predictions and picks (Gator is busy so he is unable to join us this time).



Entertainer

Should win:


Taylor Swift
Jason Aldean
George Strait - MM, S14
Blake Shelton
Luke Bryan


Will win:



Taylor Swift
Jason Aldean
George Strait - MM
Blake Shelton
Luke Bryan - S14



Markus:  George will get sympathy votes from voters. Not to mention he's put out the best music of these 5.


sabre14: I just don't have faith George will get enough votes here to overtake Luke. His album is better, and he had a great first leg of his farewell tour. But the massive sales of Luke will be too much in the end.






Male Vocalist


Should win:

Blake Shelton
Jason Aldean - MM
Luke Bryan - S14
Keith Urban
Eric Church


Will win:

Blake Shelton - S14
Jason Aldean 
Luke Bryan - MM
Keith Urban
Eric Church


Markus: If "Fuse" had been released within the eligibility period, Urban would have been my should win by a landslide and Church is my favorite of the bunch but he hasn't done much this year. So I guess I'll go with Aldean. This is Bryan's to lose though.

sabre14: I think the voters will lean Blake purely for the fact of his success of his television appeal coupled with his album being out longer than Luke's. I have to go with my gut on this one.





Female Vocalist

Should win:

Taylor Swift
Miranda Lambert - S14
Carrie Underwood
Kacey Musgraves - MM
Kelly Clarkson


Will win:

Taylor Swift
Miranda Lambert
Carrie Underwood - MM, S14
Kacey Musgraves
Kelly Clarkson


Markus: This one is probably the most competitive group, for both picks. Underwood and Lambert have both released material among their career best this year, but Musgraves' album is too good to overlook. I could see any of them, Clarkson aside, winning this. Swift is the biggest name, Lambert is always a safe bet, Underwood has had a monster year and Musgraves has the critical acclaim. I guess I'll go with CU but wouldn't be suprised to see it go to the one of the aforementioned three.

sabre14: I feel Miranda has the perfect combo of great artistic music along with the success to go with it. But Carrie has the better chart numbers therefore she will win.





Vocal Duo of the Year

Should win:


Big & Rich
Thompson Square - S14
Florida Georgia Line
Love and Theft
Sugarland
The Civil Wars - MM

Will win:

Big & Rich
Thompson Square
Florida Georgia Line - MM, S14
Love and Theft
Sugarland
The Civil Wars 


Markus: A weak year for this category? What a shocker. In all seriousness, if FGL hadn't been arguably the most dominant artist in the format this past year, TCW would have a fighting chance by virtue that they released an album, which is more than B&R or Sugarland have done.


sabre14: Pretty cut and dry category. Thompson Squares album is better and makes better music. FGL have had 3 chart toppers and the digital and album sales to justify them winning.







New Artist of the year

Should win:


Florida Georgia Line
Lee Brice
Kip Moore - MM, S14
Kacey Musgraves
Brett Eldredge

Will win:

Florida Georgia Line - MM, S14
Lee Brice
Kip Moore
Kacey Musgraves
Brett Eldredge


Markus: Probably the best quality wise. I don't really consider Brice a new artist anymore though. I liked FGL's and Brett's debuts, but not quite to the extent I liked the other 2's. I'll give the should to Moore by the slightest of margins. FloGaLine takes this though.


sabre14: This will be my personal favorite of the evening. Kip had a great Album coupled with a string of chart toppers. But I would not be shocked to see the voters give more love than we think to Kacey or Lee. In the end I'll go with FGL with the transcending impact they have made in country music wether I like it or not










Vocal Group of the year

Should win:


Eli Young Band
Lady Antebellum
Little Big Town
The Band Perry - MM
Zac Brown Band - S14


Will win: 

Eli Young Band
Lady Antebellum
Little Big Town - MM
The Band Perry - S14
Zac Brown Band


Markus: "Pioneer" is one of my favorite albums of the year. So they get my should win. I'm still gonna say LBT takes this though, but TBP are gonna start taking these home.


sabre14: I think the time has come for The Band Perry in this category, even though Zac Brown Band made a stellar album and two number one hits.






Vocal Event

Should win:


Florida Georgia Line feat. Nelly, “Cruise”
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care” - MM, S14
Blake Shelton feat. Pistol Annies, “Boys ‘Round Here”
Kelly Clarkson feat. Vince Gill, “Don’t Rush”
Jason Aldean feat. Luke Bryan and Eric Church, “The Only Way I Know”

Will win:

Florida Georgia Line feat. Nelly, “Cruise”
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care” - MM, S14
Blake Shelton feat. Pistol Annies, “Boys ‘Round Here”
Kelly Clarkson feat. Vince Gill, “Don’t Rush”
Jason Aldean feat. Luke Bryan and Eric Church, “The Only Way I Know”


Markus: Pretty competitive this year for a change. 3 of these were #1 hits, the other is huge pop hit and one features two big names. I'll give "HDC" both of them though.

sabre14: To me this song was the best song out of these choices and it was the biggest country hit this year. Pretty simple if you ask me.










Album of the year

Should win:


Blake Shelton, Based on a True Story
Carrie Underwood, Blown Away
Taylor Swift, Red
Kacey Musgraves, Same Trailer, Different Park - MM, S14
Little Big Town, Tornado


Will win:

Blake Shelton, Based on a True Story
Carrie Underwood, Blown Away
Taylor Swift, Red
Kacey Musgraves, Same Trailer, Different Park - MM, S14
Little Big Town, Tornado


Markus: I can't be the only one suprised "Uncaged" and "Night Train" have been completely snubbed at both the ACM/CMA'S so far. This one is close between Kacey and LBT for me but I'll give it to Kacey, who will also win.


sabre14: This one they will get right. Kaceys album was the most unique and well done record this year and I have a feeling the CMA's will see the same thing.







Single of the year

Should win: 


Florida Georgia Line, “Cruise” - MM, S14
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care”
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round”
Darius Rucker, “Wagon Wheel”


Will win:

Florida Georgia Line, “Cruise” - MM, S14
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care”
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round”
Darius Rucker, “Wagon Wheel”



Markus: Say what you will about FGL or "Cruise", but it would be unfair to not give them single of the year.


sabre14: This was the biggest hit on all the charts this year, and sold like crazy. This one has to go to "Cruise"






Song of the year

Should win:


Lee Brice, “I Drive Your Truck”
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round” - MM, S14
Little Big Town, “Pontoon”
Darius Rucker, “Wagon Wheel”

Will win:

Lee Brice, “I Drive Your Truck” - MM
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round” - S14
Little Big Town, “Pontoon”
Darius Rucker, “Wagon Wheel”


Markus: Pretty good "Pontoon" aside. It's close for me between Lee's, Kacey's and Miranda's but I'll give "MGR" the slight edge. "IDYT" takes it though. It touched so many people.

sabre14: If this doesn't win It will be a travesty. Kaceys song was the best song in terms of writing a different impactful yet, putting it in a subtle way to get her message across, and I would think the voters will agree.
1 Comment

Single Review: Keith Urban and Miranda Lambert- "We Were Us"

10/25/2013

2 Comments

 
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Keith Urban and Miranda Lambert, two of my favorite artists, collaborating on a single. You can imagine my excitement when I heard about this, and for the most part, it lives up to expectations. 

Their voices mesh well together, and they both feel fairly engaged in the lyrics making for an enjoyable performance.

The lyrics are about two people reminiscing on their teenage love. Combined with an excellent melody, it makes for an engaging listen.


However, my one major gripe is the production on the chorus goes a bit over the top. If that chorus was produced like the rest of the song this could have been one of the best of the year.

But even with the over-produced chorus, it is still an enjoyable single.

Grade: B+
Listen

2 Comments

Female Singer Singles Round-Up

6/13/2013

2 Comments

 
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Ashley Monroe - You Got Me

A song that is a stand out from an excellent album. It is haunting, sensual and hypnotizing. Beautiful testament to her, and Little Big Town's talent,  but sadly has no shot at radio.

Grade: B+

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Carrie Underwood - See You Again

A somewhat bland track that is improved by the authenticity in her vocal performance. A few years back this would have been dreary, now it is almost inspiring and certainly heartwarming (especially when put with the video).

Grade: B-

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Jana Kramer - I Hope It Rains

A song of sass and energy. It is a welcome change from the sincere yet depressing tones of her previous singles. The song has it issues that anyone can notice, but the track has enough fun to it that one can only root for it to rain on the high heeled and white short beauty.

Grade: B-

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Kacey Musgraves - Blowin' Smoke

After "Merry Go Round" proved surprisingly successful, Kacey continues to challenge radio with a song that is in an unusual format for Country Radio. The metaphor and vignette structure both work eloquently to depict Musgraves' potential as being what she has been hyped up to be. In the end, it is not perfect or earth shattering, but it cannot be faulted and is easily enjoyable.

Grade: B

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Kellie Pickler - Someone Somewhere Tonight

"Kellie Country" is back and she sounds great. Easily one of Pickler's best vocals and so one can only hope radio will take notice to her on the strength of her Dancing With The Stars win. The strong lyrical content sees both the good and bad in life; therefore, it is a track that brings back the realism of life to Country that has been missing extensively in the last decade.

Grade: B+

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Lauren Alaina - Barefoot and Buckwild

The energy and personality in the performance are good, but that is about all there is. The hook is even lacking exponentially.

Grade: C

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Little Big Town - Your Side of the Bed

The topic is nothing new or special, but they execute the track with their beautiful vocals to save it from boredom. The track will most likely maintain they're success at radio and hopefully "Sober" can be sent next.

Grade: B-

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Miranda Lambert - All Kinds of Kinds

The first three singles were lackluster, to say the least, but with these last two tracks from Four the Record Lambert is returning to her prominent role of clever lyrics that challenge convention while ear worming their way into your memory. If this is successful, maybe Musgraves will release "Follow Your Arrow" next. Either way, this song is a welcome challenge to radio that insinuates the complexity of life and the importance of non-judgmental actions.

Grade: B+

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Sheryl Crow - Easy

It is hard to hold something against an industry veteran like Sheryl Crow, especially when she is having success at radio as not only a crossover but as a woman over 50. With that said, the song is kind of lazy. It isn't as distinctive as past tracks like "All I Wanna Do" or "Soak Up the Sun" and so it leaves one wanting more. Hopefully, her success will continue though.

Grade: C+

2 Comments

5 Second Single Reviews

3/12/2013

1 Comment

 
As you probably know by now, I tend to prefer male voices. So this is a 5SSR of only singles by male artists. Two of the most succesful current stars in the genre, one on a comeback, two rising stars.

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Tyler Farr- "Redneck Crazy"

This guy is pretty much a male Miranda Lambert. Crazy Ex-Boyfriend who throws beer cans at your shaddows, and shines his headlights through your window when you try to sleep. And what a vocal performance!

Grade: A

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Gary Allan- "Pieces"

Not breaking new ground here, but an excellent vocal performance and solid production (aside from the "bang, bang, bang on the chorus) make this a solid single none-the-less.

Grade: B-

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Justin Moore- "Point At You"

Moore brings the energy of "How I Got To Be This Way" to the sweetness of "Til My Last Day" with solid results. The outlaw image he continues to portray is kind of annoying, but whatever.

Grade: B

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Brad Paisley- "Beat This Summer"

I must admit, Paisley's recent arrangements (this and "Southern Comfort Zone") are really cool. I guess you could call this a more fun version of "Til Summer Comes Around".

Grade: B+

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Luke Bryan- "Buzzkill"

Not sure if it's been officially released, but we all know it's just a matter of time before it does.

Great hook, with Bryan's vocals at their finest. Definitely the albums highlight.

Grade: A

1 Comment
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