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Single Review: Candi Carpenter - "Burn The Bed"

1/12/2017

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Well this is certainly a surprise.

While country radio is certainly no prizewinner when it comes to giving female artists their fair due, we have admittedly seen small steps of progress for female artists over the past year in country music.

However, in terms of quantity it still isn’t nearly enough, so let’s add to both the quality and quantity of that roster with Candi Carpenter. If you don’t know who she is, well…unfortunately you’re going to have to join the club. All I’ve been able to find on her is that she’s a new signee to Sony Music Nashville and that her debut single, “Burn The Bed” has already been sent to country radio. We’re in an age right now that makes me feel hopeful for the future of country music as we’ve watched acts both mainstream and otherwise start to gain traction and prove why they belong in the genre through pure talent. Candi Carpenter is another excellent addition to that list.

I’ll admit, “Burn The Bed” may or may not be the type of song that immediately grips you. That’s not necessarily a knock on Candi or this song, it’s just that there’s a lot going on with this song. The first thing you’ll notice are Candi’s excellent vocals. This song doesn’t necessarily require a powerful vocal, and we’ll get to why soon, but Candi’s vocals still manage to give this song a type of raw power that only accentuates my overall enjoyment for the song. It helps that she seems to have a ton of command to her voice as well, selling the emotion of this song with ease. In terms of raw passion, range, and even sound, I’m reminded a little bit of Lee Ann Womack.

The theme is the ever classic country music theme of cheating, and while I do take issue with the short length of the song, I also feel like there’s a lot of sharp, insightful lines within that make up for it. This woman confronts her lover in the aftermath of his affair, explaining how this guy actually was enough of a creep to cheat with someone on their very own bed. She doesn’t just want to wash the sheets, she wants to burn the bed. The hook is clever and poignant in its own right, but other lines like “did you take my pictures down, or did I have to watch?” just pack so much into one line that it’s incredible. Sure, I could wish for some expansion of the story. After all, how did she find out about his cheating ways in the first place, and what happens now as the confrontation ends? However, that’s nitpicking, and besides, the lyricism present is excellent.

However, the element that won me over the most was the production and instrumentation. Sure, we’ve had a resurgence of more authentic sounding country songs emerge over the past few months, but it’s not even like I only like I enjoy this song because of that. Sure, the nitpicking critic in me could have wished that a song called “Burn The Bed” could have been filled with more rage or an anger similar to say, Miranda Lambert, but remember what I said before? I stated that there was a lot going on here, and I also said that this song didn’t grip you immediately. That was never intended as a knock, and the reason is because I spent so much time being swept away digging for the little details within that I missed certain elements. You see, it’s not an anger that Carpenter evokes or even intends to evoke, it’s a melancholic one. Through her vocal performance, you can tell she’s more shocked that her lover would even do something like this more so than outright berating him, and that’s reflected even more in the understated tone of the song. The acoustic groove is the foundation for a song that’s moody and ominous, but never malicious. There’s a certain beauty within that you start to see after repeated listens. The ghostly swell of the steel guitar and bass are just icing on the cake really. Again, my only complaint is that it’s so short!

First impressions mean a lot to me, and if “Burn The Bed” is Candi’s then I am excited to hear what else she has in store for us. Cheating is such a common theme in country music and always has been, but there’s so much here to talk about besides that, and thankfully those things are elements that enhance the song’s beauty. Yeah, I’m not really a fan of the abrupt ending, and I do still think the song could have expanded on the story. Also, like I said, the song takes time to grow on you, but once it does it never lets go. At the end of the day though, this is a great song. It’s easily one of the best singles released to country radio this year. We might not know a lot about Candi soon, but hopefully that changes soon, because it needs to.

Grade: B+
Listen: "Burn The Bed"


Author: Zackary Kephart

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Top 20 Singles Of 2016

1/5/2017

1 Comment

 
After our Worst of List, let's take a much more positive look at some music we loved this year, courtesy of, once again, myself (Markus), as well as Chris Baggs and Zackary Kephart. Enjoy everybody!
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#20
Lauren Alaina, "Road Less Travelled"


I won’t lie, the production on ‘Road Less Traveled” is a little over bearing and the drum beat is what’s the new trend at Country radio…but “Road Less Traveled’s” message was easily one of the strongest of the year and its lyrics, particularly its chorus lyrics, was genius by today’s standards. Be yourself. Dare to live differently from the masses. Do what you love. Lauren’s vocals have never been questioned and it shines on “Road Less Traveled". - Chris Baggs

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#19 
Brandy Clark, "Love Can Go To Hell"


I quite enjoy the more liquid, breezy tones of this song, and as always, Brandy's penmanship is always an asset. A far cry from the more stripped down acoustic leanings of her last offering, 12 Stories, sure, but this is a true example of artistical evolution from one of the brightest stars in the genre right now. - Zackary Kephart

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#18
​Mark Chesnutt, "She Oughta Miss Me By Now"
)

Alright, admittedly I'm just glad to have Mark Chesnutt back in action more than anything else. However, the melody on this track is solid, and the lyricism is what drives it home. It isn't out of arrogance that he believes his lover will come back to him, but rather out of denial that she's moved on while he can't. Mark was a master at heartbreak on his comeback album, 'Tradition Lives', and this was one of the highlights. Glad to see radio caught on to it... (smirk). - ZK

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#17
Tim McGraw, "How I'll Always Be"


Well the line about not being all about that trendy crap aside, this is another solid single from Tim that's helping to continue his reign as one of the torch bearers of quality within mainstream country music. - ZK



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#16
Cam, "Mayday"


The follow-up to the mega-hit "Burning House", "Mayday" might just be an improvement on the universaly acclaimed breakout. With an intricate vocal backed by a mostly-acoustic production and clever-yet-emotional lyrical content, it's near perfection coming from one of country's brightest young stars. - Markus Meyer

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#15 
Brothers Osborne, "21 Summer"


It’s not this revisited summer love subject that earns “21 Summer” a spot on this list, it’s the haunting instrumentation, production and harmonies. T.J. Osborne’s deep vocals was made for a song like this. Its melody flows smoothly through the heart-broken lyrics. If you’re driving down a road some summer night, this is the song you want on your speakers. - CB

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#14
Billy Currington, "It Don't Hurt Like It Used To"


Has Billy Currington ever sounded better? I'm not sure he has. Currington puts in blisteringly confident performance over a wonderfully melancholic lyric and a stomping production. The melody is the cherry on top of this well deserved #1 hit. - MM

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#13
Artists of Then, Now, & Forever, "Forever Country"


What could have been a jumbled mess was my personal highlight of the year. A startlingly good collaboration between multiple generations, blended by a seamless modern-yet-traditional production. It's a beautiful tribute to the genre we all love, and an absolutely unforgettable record. - MM 

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#12 
RaeLynn, "Love Triangle"


Colour me surprised. At the start of the year, I would have never predicted that RaeLynn, of the dreadful "God Made Girls", would be near the top in terms of 2016's best moments. An absolutely stunning lyric is propped up by a killer melody, solid production, and a strong vocal (relative to RaeLynn standards) make this a dynamite single. - MM

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#11
Craig Campbell, "Outskirts of Heaven"


“Outskirts of Heaven” transforms you back to the Country music of 15-20 years ago, other than a brief electric guitar solo during the bridge. But the production doesn’t get much better these days and the lyrics depict vivid thoughts in the listener’s mind of what the outskirts of the afterlife would be like. Craig’s best vocal performance land a spot on our list. - CB

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#10
Cody Jinks, "I'm Not the Devil"


One of the year's best-written songs, sung by one of the genre's better performers. Traditional country with a bit of an edge, and one of the highlights off of country music's best albums this year. - MM

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#9 
Candi Carpenter, "Burn The Bed"


While it's barely over two minutes in length, this track absolutely smolders from start to finish. The haunting, ghostly production provides a real, ominous and melancholic vibe to the track, and there are some fantastic one-liners here as well. It's yet another fine example of the resurgence of quality in mainstream country music. - ZK

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#8
Dean Brody, "Time"


Think about how old you are…now think about regrets…if you can’t think of any, chances are you’re not trying very hard. Once moments pass by in our lives, they’re nothing more than memories, and they’re never coming back. Canadian Country artist Dean Brody’s late 2016 single takes a common subject but lyrically crafts it to hit the listener in the gut. Dean’s had some fantastic singles in his career but this might be his best yet. - CB

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#7 
Aaron Watson, "Bluebonnets (Julia's Song)"


A song this deep and personal doesn't really make me feel qualified to sum it up in a mere few sentences. I'll say this, have a listen for yourself and just try and tell me you didn't feel something from it. I bet you'll lose. - ZK

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#6
Josh Abbott Band feat. Carly Pearce, "Wasn't That Drunk"


“Wasn’t That Drunk” was the first single for Reviver Records new 1608 radio promotion team. It features the female vocals of Carly Pearce, who had a developmental deal with Sony Nashville in 2012-2013. The song’s stellar vocals match the intimacy of the lyrics, which take on a different approach for two people coming together. The song’s instrumentation and production seal the deal for what is our best duet of 2016. - CB

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#5
Alan Jackson, "The One You're Waitin' On"


A simple ballad turned into a stunning record by a masterful performance from Alan Jackson. The production and melody are as good as anything these days, while the lyrics are toned down but effective. In his commercial prime, this could have been a classic, and honestly, it should have been today. - MM

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#4
William Michael Morgan, "Missing"

Halle-freakin-lujah, a song that's got a message attached to it AND is a hell of a lot of fun to boot. I know that I can personally relate to the feeling of needing to get away from everything, even when nothing is necessarily wrong in life, and this song captures that feeling almost perfectly. - ZK

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#3 
Tim McGraw, "Humble and Kind"


A stunning display of the power of simplicity. It's a song that says simply to be kind, and yet it turned out to be one of 2016's most touching moment. McGraw turns in a stellar performance of the universal-message turned mega-smash, making the Lori McKenna written tune one of the most memorable records of the past several years. - MM

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#2
Eric Church feat. Rhiannon Giddens, "Kill a Word"


We’re all familiar with the old adage, “Sticks and stones may break my bones, but words will never hurt me”…Eric Church’s third single from Mr. Misunderstood takes issue with that myth. The truth is words can hurt. Words do hurt. Once something is said, it can never be unspoken. Forgiving is the easy part but forgetting is impossible. Church’s message of the hurtful nature of words was arguably the most creative release of 2016. - CB

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#1
​Eric Church, "Record Year"


In past years, Eric Church has alienated certain critics from enjoying his music due to his image and/or sound. This year was the year where he really honed in on what made him unique however, and it resulted in a much more unified, positive critical consensus. What I love about this track is that it's personal - he's a man who's drowning his sorrows in vinyls rather than booze, and really, that's something I'd do too. Eric Church really stepped up his game this year, and I couldn't be more excited to see where he goes next. - ZK

1 Comment

Worst 20 Singles Of 2016

1/5/2017

3 Comments

 
Welcome to the first of This Is Country Music's year-end installments! In our first set, we look at the 20 worst radio singles of 2016. The list was tabulated from a points sytem, taking into account rankings from myself (Markus), as well Zackary Kephart and Chris Baggs (chart guru and 91.3 podcast host). Enjoy, and stay tuned for our best-of list coming tomorrow!
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#20
Kane Brown, "Used to love You Sober"


Kane Brown’s vocals are among the weakest I’ve heard in this genre in a long time. It’s particularly painful to listen to on “Used To Love You Sober.” It sounds like he’s attempting to go very deep…too deep for his vocal range and it comes off grating on this track. The song is also lyrically basic as can be. - Chris Baggs

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#19 
Jason Aldean, "Lights Come On"


Normally I'd just write this off as another boring, overproduced Jason Aldean rocker. For God's sake though, this is seriosuly what you're giving us seven albums into your career? This song is proof that Jason Aldean is one of the worst artists out there when it comes to artistical evolution, and that line about him and his boys blowing things up really helps to establish this song's placement on this list. - Zackary Kephart

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#18
Granger Smith, "If The Boot Fits"


Honestly, this is more boring than outright atrocious, but still, can the production on this track be anymore lifeless? Even Granger doesn't sound like he cares, so why should we? The lyrics follow the typical checklist template that sound even more dated in 2016 as they did in 2014. - ZK

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#17
Brett Eldredge, "Drunk On Your Love"


We overuse the phrase, “a nine-year could have wrote this”…but if I can’t use that phrase here, then when can I?
“I woke uh-uh-up
Still druh-uh-unk
On your luh-uh-ove, on your luh-uh-ove
Now I know why-eye-eye
I'm feeling so high-igh-igh" - CB


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#16
Florida Georgia Line, "H.O.L.Y"

Nothing says winning that special girl’s heart by saying “You’re holy” over and over and over and over again. No, I’m not discussing Nelly and Tim McGraw’s hit from over a decade ago, although that isn’t too far off in genre categorizing as most of FGL’s music. This song is dull and lacking in production and interesting instrumentation, plus being a straight up Pop song played on the Country music format. - CB

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#15
Jake Owen ft. Chris Stapleton, "If He Ain't Gonna Love You"


This is honestly just......weird. I mean as a psychadelic rock song, I suppose it's alright albeit nothing special. However, considering this was released to country radio, it really doesn't work. The narrator's tone is way too arrogant, and honestly, do I really need to say how much Chris overpowers Jake here? The Stapleton add on might have been to help this song blow up, but it's really done the opposite, collecting very few sales thus far as well as a long, slow chart run for Jake. Maybe it wasn't the best option? - ZK

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#14
Chris Lane, "For Her"


Holy falsetto Batman! This song has the trademarks of some of Joey Moi's worst production here (that's saying something too), and the lyrics are compiled of nothing but cliches, making this song nothing more than just something to fill time on the radio, something I'd say about every track of Chris Lane's thus far. - ZK

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#13
Dierks Bentley, "Somewhere On a Beach"


This so, so beneath Dierks Bentley. One of the immature and arrogant records of the year, complete with a bland production and grating melody. There are some semblances of a good idea here, but it's execution is beyond poor. Perhaps the year's most dissapointing single. - Markus Meyer

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#12
Brantley Gilbert, "The Weekend"

Brantley Gilbert at his worst. Re-hashed party lyrics that sound like they were passed over in 2013, obnxoxious production recalling "Kick It In the Sticks", and almost unbearable vocal performance. Literally nothing about this song is good. Gilbert can be one of the genre's best... But not when he's releasing this kind of effort. - MM

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#11
Dierks Bentley feat. Elle King, "Different For Girls"


This song is on the “20 worst” list because of simple untruth. It typecasts most women as sobbing and not wanting a “rebound” after a breakup…which they often do. It also paints most men as trying to get laid and hook-up immediately after a breakup…which they often don’t. Some do, absolutely, but the lyrics tell a different story. A good melody and superb vocals cannot save misogynist lyrics. - CB

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#10
Chase Rice, "Whisper"


Why hear it from me when Chase Rice himself can tell you that this sucks? 

Lol at that #56 peak too. - ZK

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#9
Dustin Lynch, "Seein' Red"


A completely phoned-in, non-country piece of processed dreck. There is not one redeemable aspect of this song, and is further evidence that Dustin Lynch is fully content with redoing the same song, with a less country arrangement, time and time and time again. - MM

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#8
Chris Lane, "Fix"


A weak metaphor backed by an even worse production style. At it's best, it's cluttered pop, and in no way, shape, or form should this record be considered country music. Chris Lane has talent, but he should either use it for country music, or make his way to the exit. - MM

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#7
Jana Kramer, "Said No One Ever"


Jana Kramer has been most succesful commercially, and in terms of quality, when she records reflective and interesting songs, backed by an intimate country arrangement (see: "I Got the Boy"). Why she released a song as obnoxious and honestly, pointless, as this one, I will never know. A dreadful hook, terrible vocal, and grating production don't help matters. - MM

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#6
Clare Dunn, "Tuxedo"


The vocal arrangement for “Tuxedo” is not only an aspect that should probably not be in the Country format, but it’s also extremely grating. The song was tested with other songs off Clare’s EP before being sent to radio, which is baffling because it was among the worst researching singles of the year. - CB

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#5
Steven Tyler, "Red, White and You"


This song makes me more sad than anything. It's baffling that a man of his age and musical ability would feel the need to record a Chase Rice ripoff of the lowest degree. This just... Depresses me. "Free fallin' into your yum yum"? Um... No. Lyrics aside, the production and vocals are almost equally as bad. It's a rather unfortunate moment in country music history.  - MM

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#4
The Band Perry, "Comeback Kid"

I’m slightly disappointed I only get two paragraphs to reflect on this one. I truly though The Band Perry couldn’t possibly release a single to Country radio worse than “Live Forever”…oops. At best, this song is bizarre. For those who don’t know, the lyrics are a direct shot at the backlash the band received from “Live Forever” and the shelved cross-over album, Heart + Beat.
“How dare you forget where I started out…uh oh, uh oh”
That’s a reference to the band’s #1 single from 2010, “If I Die Young.” 
“I believe it’s been a year, the worst one I’ve ever lived.”
It was exactly one year from the release of “Live Forever” to “Comeback Kid”.
I could go on because the entire song is a gigantic “F You” to anyone who disliked the band’s musical direction in 2015. The truth is nobody enjoys kicking you when you’re down. They express opinions over what they deem bad music. Every. Single. Artist. Is. Open. To. It. The way this band treated “Live Forever’s” chart bomb and the exiting from Big Machine Label Group couldn’t have gone any more childish (included deleted their tweets/Twitter account and removing “Live Forever” from YouTube for a short period of time). This was my vote for worst song of 2016. - CB

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#3
Blake Shelton, "She's Got a Way With Words"


This was the single that snapped Blake’s ridiculous #1 streak, which dates all the way back to 2010…it didn’t even reach the top 5. After one listen, you can understand why more than a few were turned off by its crude lyrics. It’s indistinguishable production and sub-par melody did little to save it. If someone other than Shelton released the song, it wouldn’t have come near the top 30. - CB

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#2
Luke Bryan, "Move"

Okay, so imagine "Country Girl (Shake It For Me)". Okay, now imagine it's worse, and not fun. You get "Move". It takes itself way too seriously for a song about a girl moving her body, and even it didn't it would still suck. Ir's about as irritating and slam-the-P2-button-as-fast-as-you-can worthy as anything this year. It might just be Luke Bryan's worst moment. - MM

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#1 
Thomas Rhett, "Vacation"


Country music really was on an upswing this year. Hell, I don't even dislike some songs on this list! However, this song may be the absolute worst song ever released not just to country radio, but music in general. Yeah, it's catchy, but that doesn't make up for the absolutely atrocious lyrical content as well as Thomas Rhett's nasally vocal tone. Plus it took sixteen fucking songwriters to pen this shit. Granted, some of them didn't actually help write it so much as just give Thomas "inspiration" for the melody, but still, there's no excuse for this song. Even Chevy Chase doesn't want to go on this vacation. - ZK

3 Comments

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