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This was the standout from The Outsiders for me. At first glance it comes across as just another drinking song. But it's actually a breakup song. The production is funky but not overly thick and Church sells it. Good stuff.
Grade: A
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I'll admit, "Bottoms Up" really grew on me, but I can't get into this one. Rhett sounds terrible on here (I actually usually like his voice) and the lyrics are ridiculously cliched. Solid performance from Moore but overall, meh.
Grade: C
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This is pure fluff, but good fluff. Bradbery sounds good here and sounds like she is legitimately enjoying herself. Production is restrained and an infectious melody. I can get into this.
Grade: B
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Why? Just why? For an album full of fun, infectious tunes why this? A song like "Here's To Being Here" has so much energy and charisma. This is dull. I don't say that about much of Thompson Square's stuff.
Grade: C
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Lyrically clever, takes the interesting production traits of Wheelhouse and makes it a bit more radio friendly, a performance reminiscent of Paisley's early work. I was hoping it wouldn't be a copy of "Water". It wasn't.
Grade: B+
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The rapping here is crap. It seriously sucks. So do the lyrics. But I find myself jamming to it. It's catchy as hell. I like it. Can we forget I ever said that now?
Grade: B
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This is very, very average. Boring lyrics, boring production, boring melody, boring vocals, boring single cover. ZZZZZZZZZ.
Grade: C-