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Worst 20 Singles of 2020

12/10/2020

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In a year of tremendous turmoil, music served for many as an escape, as a comfort in times of despair. As we come to the end of 2020, we are able to reflect on the tracks that got us through these hard times. And within the coming days, we will certainly do this.

As is tradition, myself and my good friend Zackary Kephart (of The Musical Divide and Country Universe) count down our least favorite singles of the year. As a broad comment, this year was not so much a horrible one for mainstream country as it was uninspiring. New artists come out of the woodwork with generic word salads while the usual culprits remain in standard form. There will be ample celebration of the highlights, but for now, here are the 20 worst radio singles of the year that was 2020. 
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#20
Little Big Town, "Wine, Beer, Whiskey"


As someone who will gladly defend Little Big Town’s Nightfall album, this is the most disappointing entry, for me. Beyond just being a clunky, sloppily mixed single where Jimi Westbrook’s performance is beyond over-the-top, it’s a sour drinking song that was only released as a summer single to try and salvage the band’s momentum in an otherwise tough time. In other words, Capitol Nashville has no idea to market them anymore, and the sooner the band escapes into the night, the better we’ll all be for it - especially when, again, Nightfall houses some of their best work; this just ain’t it. - Zackary Kephart
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#19
Kelsea Ballerini, "hole in the bottle"


I do think that Kelsea Ballerini has made strides artistically since the "Dibs" days, but I do not think that is represented by this track. I think the production grates and the melody feels jarring, and I don't think it suits her somewhat limited vocal range. It just doesn't have much to say and what it does, it doesn't do well. - Markus Meyer
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#18
Dylan Scott, "Nobody"


I'm not convinced that Dylan Scott has ever had an original thought. I'm not sure what the point of this is. I'm not sure what the point of any of his singles are. He's a perfectly capable vocalists that exaggerates for no reason, and does so on top of production and songwriting copy-pasted from every other crappy top 20 hit from a white guy with a silly haircut. I just don't see any appeal. - MM
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#17
Jason Aldean, "Got What I Got"

To be frank, Jason Aldean just does not have the skillset to pull this off. He's too inherently mad to do slowed down, sexy songs. Sometimes his anger works! It just doesn't here, and it's incredibly awkward to listen to. The production feels a little clunky and it makes for a weird listen that gets worse with time. - MM
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#16
Robert Counts, "What Do I Know"

You don’t know this guy, and given how there are only around 4,593 new, generic male artists that enter the fray every year, I can’t say I blame you. The production and performance leans into Jason Aldean’s worst tendencies of being a dark, overly serious, angry song, where the sentiment just feels misplaced all around. It’s macho posturing at its worst, and while this type of attitude is, unfortunately, a prevalent philosophy for certain country fans, it doesn’t represent the genre at its absolute best, thankfully. What do I know? I know this sucks. - ZK

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#15
Dustin Lynch, "Momma's House"

I'm sorry but what is there left to say about this guy. He's completely content just phoning it in, even though I'm not convinced anyone cares about his music anymore. This isn't actually one of his more offensive lyrics but he ruins it with his siganture slathering of autotune and production that sounds like a computer breaking down. Obligatory reference to "Cowboys and Angels" and what a letdown he's been since. - MM

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#14
Easton Corbin, "Turn Up"


Remember when, in 2015, Easton Corbin released a dated bro-country project in About to Get Real? Well, he’s basically doing the same thing again in 2020 with “Turn Up,” and this time around, it’s like a living incarnation of that Steve Buscemi “how do you do, fellow kids?” meme. “Let’s turn up and get lit like the kids do, my fellow lady friend!” - ZK

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#13
Lee Brice, "One of Them Girls"


I'm usually a big defender of Lee Brice. I think he's one of the good guys and unlike many of his peers, he has some legit vocal talent. It just baffles me how big this was. It's just middle-of-the-road fluff about his girl, who just so happens to apparently be the exact same as eveyr other girl described on country radio. It's completely unmemorable in every way. Bud light labels and hometowns and parties. Good one! Waste of talent. - MM
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#12
Florida Georgia Line, "Long Live"

Whew … I mean, Cledus T. Judd and Weird Al couldn’t have written a better Florida Georgia Line parody, I tell you. Wait, you’re telling me this is an actual Florida Georgia Line single? Oh, my. In all seriousness, what analysis must one offer to explain why their sixty-millionth song in this bro-country vein is bad? It just speaks for itself sometimes. - ZK
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#11
Parmalee feat. Blanco Brown, "Just the Way"

Songwriting by committee, almost literally. There’s no chemistry here between the two acts desperately yearning for relevancy on this tired, predictable schlock, derivative of the worst traits “boyfriend country” has had to offer so far. Also, my fellow dudes, we really need to retire the whole “God made this woman just for me” trope – it’s not nearly as endearing as you think it is, coming from, again, a fellow dude. Why is this even a duet? Are they really sharing the same woman? - ZK
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#10
Sam Hunt, "Hard to Forget"

Believe it or not, I don’t dislike Sam Hunt’s music solely for its lack of a “country” sound – it’s just bad, no matter how you cut it. The Webb Pierce sample isn’t innovative, though it gives Sam Hunt one of the few decent melodies he’s ever had. But the song is just a mess, from the brighter, chipper tones – bolstered by a sing-a-long toward the end, no less - that contradict the otherwise dour theme, to the mix of chintzy-sounding drum machines and guitars that clash with the fiddle and dobro. It isn’t nearly the worst song off Southside, or even Hunt’s worst single. But it’s his most bizarre, and it absolutely deserves its place here.  - ZK
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#9
Dan + Shay, "I Should Probably Go to Bed"

The schtick is old. "Tequila" was really good and everything since has sounded identical. There is zero substantive difference between this and "Speechless" and "All to Myself" and "10,000 Hours". Find something new to talk about! They have immense vocal talent but you can only do the exact same song so many times. Beyond boring and unoriginal, to the point where it's infuriating. It's also 0% country, but that ship sailed long ago. - MM
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#8
Keith Urban, "God Whispered Your Name"

I’m copying and pasting my blurb from “Just The Way” to reiterate to my fellow dudes that, y’all, God isn’t cranking out women in Heaven’s factory for us. Otherwise, this has to be the most painfully boring entry on this list, hampered by a lack of real groove or melody and only made worse by Keith Urban’s twee, saccharine delivery. It’s the embodiment of boyfriend country at its absolute worst, which, at that level, is basically a NyQuil replacement. - ZK
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#7
Luke Bryan, "One Margarita"


To some extent, you have to commend Luke Bryan for not even trying to hide it. He knows he'll make millions off stuff like this and he just keeps cranking it out. A blatant grift with diminishing returns. It's annoying as all hell, is not fun to listen to, and isn't saying anything Bryan hasn't done 1000 times already. Sad but not surprising, and for my money the worst thing released in 2020. - MM


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#6
Kane Brown, "Cool Again"


Just so grating and a poor represenation of Brown's abilities. Same old same old. He misses loving this girl in the summer. Cheap pop production. No one will remember this in two years. Not much more to say that hasn't been repeated throughout these entries because they're all the exact same. Rather pointless. - MM 
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#5
Darius Rucker, "Beers and Sunshine"

Here’s the thing – most of these are bad singles by equally bad artists. Darius Rucker, though? He’s got a great voice, and while his material has always been more inconsistent than I’d prefer, it’s never been as bad as “Beers & Sunshine.” Beyond that God-awful hook that Blake Shelton already proved wasn’t all that funny more than a decade ago, it’s another summer single with some of the most dour, contradicting production I’ve heard all year. Even Rucker doesn’t sound like he cares, like this was just an attempt at releasing a vapid ode to escapism during the pandemic. A sad case, indeed, and “B.S.” of another variety. - ZK
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#4
Cole Swindell, "Single Saturday Night"

Cole Swindell has the occasional good track but man, when he's bad he is bad. His vocal talent is already so limited and it really stands out here. Not even remotely catchy and the production is laughably bad and sloppy. From an artist who is usually mediocre, this is a truly awful and anger-inducing effort. - MM
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#3
Niko Moon, "Good Time"

I don't really know who Niko Moon is and I do not care to find anything else out. He appears to have no actual ability and it sounds like a parody song. If you can't tell, it's about having a good time, so it's a pretty creative track. I expect we won't be hearing from him again when he's replaced by generic white bro #4632 next week, but my goodness this is just embarrassing. Hopefully if we ignore it'll just go away. - MM
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#2
Walker Hayes, "Trash My Heart"

This has to be Walker Hayes’ last bid for radio airplay, and if so, good riddance. I will not miss your half-assed, half-spoken delivery devoid of any charisma, your word choice that, like Easton Corbin, often embodies that aforementioned Steve Buscemi meme, or your God-awful, clunky-as-Hell production. He constantly echos the word “trash” throughout this song, and if that doesn’t speak for itself, I don’t know what does. - ZK
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#1
Florida Georgia Line, "I Love My Country"

I’ll be blunt, if my blurbs for these scream as half-assed, it’s because I just did not have the energy for most mainstream country singles this year – the ones that were hits, at least. It’s a genre that prides itself on speaking to real life problems, but this year, all country radio had to offer was either boring-as-fuck boyfriend country, which we’ve discussed here already, or bro-country revivals aimed at taking attention away from the global pandemic. 
 
Look, I don’t begrudge anyone who needed more than a bit of escapism this year. But there were way better options than this, from singles that didn’t become chart hits to quite a bit of music found beyond one’s radio dial. Another way of saying that, to me, nothing this year quite spoke to that disconnect than Florida Georgia Line’s “I Love My Country.” Most people noticed it ripped off Kane Brown’s “Short Skirt Weather”; my mind immediately thought of Chris Young’s “Raised on Country.” Either way, you’ve heard this song from this duo before, a tepid attempt at recapturing any former glory they once had. “Cruise” forever defines their legacy, and, as far as the music goes, proves that they haven’t able to be much more than frat-bros partying it up with not a care in the world, at least, you know, in song. Moreover, “I Love My Country” is another shot for them to denounce their critics through their feigned “authenticity,” and speaking as one, I just didn’t care. I collectively found most mainstream singles disappointing and boring this year; this was just bad. - ZK
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Top 20 Singles of 2019

12/16/2019

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After breaking down the worst mainstream country music had to offer in 2019, it's time to take a more positive look at the music that made our years. It's a diverse list that includes both radio smashes and commercial underdogs, and that covers the wide range of emotions and experiences that makes the genre so special. Here are the top 20 singles of 2019, brought to you as always by myself, Markus, and Zack. Let us know what your favorites were, and here's to another great year (and decade) of music!
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#20
​Jason Aldean, "Rearview Town"

To Jason Aldean’s credit, his stoic, rough demeanor can work incredibly well for a song, given the content. For “Rearview Town,” there’s a brooding sense of nihilistic fury as the narrator leaves his nowhere town behind. For once, too, there’s a deeper subtext to the situation; Aldean may be leaving because of a breakup, but the decision comes from years of watching rusted plows and a general decay of a place he used to love. - Zackary Kephart
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#19
​Brooks & Dunn feat. Luke Combs, "Brand New Man"


​An electric cover that is actually superior to the original. Combs adds a massive dose of energy to the track, and blends perfectly with Ronnie Dunn's always-excellent vocals. An exhilarating track that exceptionally blends the past and present of country music. - Markus Meyer
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#18
Parmalee, "Be Alright"


I certainly didn't have 'Parmalee covering  a pop smash and making my year-end list' on my 2019 country music bingo card, but here we are. It's a very well-done version of an already good song, with Matt Thomas coming off as immensely sincere and the production adding a layer of regret to the track. Parmalee is pretty hit-or-miss (emphasis on the miss, lately), but "Be Alright" is a great effort that deserves credit for its earnestness and emotional depth. - MM
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#17
​Riley Green, "In Love By Now"


I’ll forever wish this could have been the hit over “I Wish Grandpas Never Died.” It’s Green’s sunny disposition that sells this track – a lighthearted, yet mature. reflection of wondering where a former lover is now and wishing them the best. The tones are rollicking enough to support the song’s brighter atmosphere, and the general optimism surrounding how both parties will be alright in the end makes this one of the funnest breakup songs in recent memory. - ZK
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#16
Brantley Gilbert feat. Lindsay Ell, "What Happens In a Small Town"


There a lot of problems with Fire and Brimstone as an album, but the hit lead single represents a lot of what Brantley Gilbert does well. The hook is memorable, the melody effective, and the production relatively restrained. What really makes it click is the chemistry between Ell and Gilbert, an unlikely combo but one that ultimately succeeds with flying colours. An excellent return to form after a handful of poor radio releases. - MM
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#15
Carly Pearce feat. Lee Brice, "I Hope You're Happy Now"


After the unfortunate mess of “Closer To You,” it’s refreshing to hear Carly Pearce return to a sound comfortable for her with “I Hope You’re Happy Now.” The real gut-punch of the track comes in both lovers thinking they’re doing the other one a favor by saying goodbye, and deep down neither one wants that. Lee Brice hasn’t sounded this good in years. - ZK
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#14
Midland, "Mr. Lonely"


The title character may be sleazy as hell, but when the song is an exercise in lighthearted fun, it’s more than forgivable. Beyond feeling like a literal blast to the past, “Mr. Lonely” excels for its top-notch energy and clever one-liners (how did no one come up with “I’m the number that you know by broken heart” yet?). - ZK

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#13
Ashley McBryde, "One Night Standards"


For as much as I enjoy every song on this list, very few of them explored dark, uncomfortable territory. Granted, Ashley McBryde isn’t getting the radio airplay she deserves anyway, so she might as well deliver “One Night Standards” - a blunt, painful exchange of rules for a one night stand, where the focus is less on the deed and more on the subtle implications of how badly damaged the narrator to not care anymore. McBryde’s performance is what truly sells this track. - ZK
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#12
Maddie & Tae, "Die From a Broken Heart"


A damning sign of the times more than anything, Maddie and Tae’s team thought pushing “Friends Don’t” over this song last year was a good idea. Now, more than a year later, the momentum behind “Die From A Broken Heart” has faded, but the song remains a wonderful return to form for the duo. Despite stemming from a younger perspective, the narrator’s pain never feels oversold, and instead tells its story from the questions she asks to her mother. It’s a genuine expression of pain that’s heartfelt and relatable in any scenario. - ZK

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#11
Randy Houser, "No Stone Unturned"


The revival of Randy Houser is one of the most noteworthy storylines of 2019 for country music, and "No Stone Unturned" epitomizes this development. It's a refreshing, lively record that enbodies the carefree spirit it details, He's in top form vocally, and the production is a perfect blend of contemporary stylings and traditional influence. A superb effort from a former victim of the bro-country influx. - MM
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#10
​Thomas Rhett, "Remember You Young"


"Remember You Young" encompasses Thomas Rhett's best traits: a magnetic performance, a tight, coherent production, a compelling melody and hook, and a mature, reflective outlook on life. It's a dynamic record that is both memorable and accessible. Center Point Road was a lot of what Rhett does poorly, but this track is undoubtedly a career highlight for him. - MM
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#9
​Eric Church. "Some of It"


A list song, but the good kind. "Some of It" expresses a sense of wisdom and reflection backed by an effective production and melody, fostering both unbound optimism and melancholic reflection. It's somewhat of a sonic diversion for Church, but once again exemplifies that he's the most compelling star in mainstream country music these days. - MM
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#8
Blake Shelton, "God's Country"


Let’s be honest – Blake Shelton hadn’t released an interesting single in nearly a decade. Then comes along “God’s Country” - a dark, southern-Gothic-inspired track that found Shelton in top form, vocally. Even if it’s little more than a salute to the character’s rural land, it avoids the typical pandering and cliches by coming across as a mystifying reverence for the world around him. It’s one of the biggest singles of the year, and for once it’s for a good reason. - ZK
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#7
Kelsea Ballerini, "homecoming queen?"


In what is by far her best effort to-date, Kelsea Ballerini demonstrates a sense of vulnerability rarely seen on country radio these days. A stunning empowerment ode that balances exceptional songwriting with a tender pop-county backdrop. Remarkable stuff. - MM
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#6
Tenille Townes, "Jersey on the Wall (I'm Just Asking)"


What this single demonstrates is Tenille Townes' ability to blend an intricate storyline with a broader thematic arc, making for a compelling listen. The performance exudes equal parts regret and wonder, with a production that only amplifies those sentiments. Townes is maybe the most exciting young talent in the genre these days, and "Jersey on the Wall (I'm Just Asking)" only reinforces that. - MM
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#5
Kacey Musgraves, "Rainbow"


Fresh off her Grammy Award sweep, Kacey Musgraves should have had one of the biggest hits of the year when “Rainbow” was released. Instead, like pretty much any of her singles outside of “Merry ‘Go Round,” the song floundered within the top 40 at radio. It’s all the more sad given that the song’s message of hope and resilience, wrapped in an understated, poetic elegance, was among the songs we needed in 2019. One of her best in any capacity, though. - ZK
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#4
Luke Combs, "Even Though I'm Leaving"


Sure, the song basically goes overboard to tug at the listener’s heartstrings, but it works. The bond between the father and son begins and ends with a promise to protect, and even if that ending is fairly predictable, Luke Combs effectively underplays the track to make sure it connects anyway. Plus, I’m a sucker for that mandolin. - ZK

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#3
Eric Church, "Monsters"


​A masterful blend of faith and humanity, made accessible by Church's earnest performance and the largely acoustic backdrop. Maybe his best written song to-date, and an effort that demonstrates his continued artistic growth and maturity. The hook is both powerful and melodically competent. Church continues to outdo himself. - MM
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#2
Ashley McBryde, "Girl Goin' Nowhere"


In a just world, “Girl Goin’ Nowhere” would be Ashley McBryde’s signature song – a personal victory lap where the triumph comes in just being able to play music. With her recent recognition from the Country Music Association and Grammys, Ashley McBryde may not have the radio hits, but she’s proving she doesn’t need them to get somewhere. - ZK
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#1
Ingrid Andress, "More Hearts Than Mine"


An essentially flawless record from a dynamic young talent. The songwriting is raw and unique; the melody and hook flow wonderfully; the production expertly blends traditionalism and modern stylings. The highlight is the vocal performance, as Andress is both a uniquely capable technical vocalist and an impactfully expressive performer. Country radio's apparent embrace of "More Hearts Than Mine" may be their best decision in years, and if there's any justice, Andress will be a mainstream staple for years to come. - MM
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Top 20 Singles Of 2017

1/6/2018

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After our Worst-Of lists yesterday, let's take a look at what dominated our year musically with our Best-Of list! Here's to another year of great music in 2018!
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#20
Brothers Osborne, "It Ain't My Fault"


It’s not the most intelligent single of the year, but what it lacks in that area it more than makes up for in boot stomping energy and attitude. John Osborne’s fiery guitar solo is pretty killer, and to hear TJ Osborne sing in his usual lower register helps to give this song a lot of gritty passion. Heck, they're already dethroned Florida Georgia Line as the vocal duo of the year, and between that and their new single, "Shoot Me Straight", I for one am VERY excited to see what 2018 has in store for Brothers Osborne. - Zackary Kephart

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#19
​Midland, "Drinkin' Problem"

There was no bigger debut artist on Country radio in 2017 than Texas trio, Midland. Their debut single reached #1 on Mediabase, which isn’t shocking for a Big Machine Records promoted artist, but considering “Drinkin’ Problem” is a total throwback country song, it stood out on 2017 country radio.

It’s a typical country song about drinking from the title and first few lines, but once the chorus starts, the listener realizes that this song’s lyrical cleverness was hard to match from other 2017 singles.

“They keep on talkin', drawing conclusions, they call it a problem, I call it a solution”

It’s not a good song because it was a traditional song on 2017 radio. It’s a good song because it’s execution in instrumentation, production and lyrics were excellent and Midland slides into our 2017 best of list. - Chris Baggs



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#18
​Luke Combs, "When It Rains It Pours"

One listen to the second single from Sony Music Nashville artist Luke Combs and you’re immediately transported back to early 2000’s country radio; its sound and subject reminds me of country radio from 15 years ago, especially Blake Shelton’s “Playboys Of The Southwestern World,” which hit the top 30 in 2003…only Luke’s was a huge #1 single in 2017.

“When It Rains It Pours” is a descriptive story about a narrator that hits a massive streak of good luck after his girl leaves him. The song’s series of events reads more the stuff of fantasy but songs that can transport the listener to another world, are a winner in my book. Country music has its share of making the most out of a breakup. Combs’ hit single proves a funny song can also crack our best -f lists. - CB
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#17
​Charlie Worsham, "Cut Your Groove"


Yeah, it’s kind of a sappy, crappy motivational “do your thing” song. However, much like Eric Church did with “Record Year”, Charlie Worsham frames a familiar concept around musical language, and that makes for more interesting examples, one-liners and overall flow as well. Charlie also went a little more soulful for his latest album, and that often resulted in songs with very luscious, sometimes elegant production. With those crisp horns and solid acoustic melody bolstering the song, it's a shame that this couldn't have been a hit, because it's one of Charlie's best. - ZK

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#16
​John Mayer, "In The Blood"


​John Mayer gave us one of the biggest surprises of the year, delivering a top-flight country single to radio. While not a success commercially, "In the Blood" is an exceptional display of depth, emotion, and authenticity, depicting familial bonds in relation to personal profile. Backed by a largely acoustic production and a stellar vocal, Mayer absolutely knocked this one out of the park. - Markus Meyer

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#15
Brett Young, "In Case You Didn't Know"

We all know the saying, “where words fail, music speaks,” but there aren’t many songs as good at letting a person let their significant other know how they really feel, than Brett Young’s mega-hit “In Case You Didn’t Know.”
“Baby I know that you've been wondering, mmm, so here goes nothing, in case you didn't know, baby I'm crazy bout you, and I would be lying if I said, that I could live this life without you, even though I don't tell you all the time, you had my heart a long, long time ago, in case you didn't know”.

The song’s production and instrumentation don’t overdo it, which is appropriate for this track. I know it says exactly how I feel about my girlfriend and I’m sure millions of others felt the same. His debut album isn’t perfection, but this song’s message is. - CB
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#14
Trace Adkins, "Watered Down"


If you were to look in a dictionary and look up "hit and miss", I'm pretty sure you'd see a picture of Trace Adkins. While he has released a lot of questionable singles in his time, songs like "Watered Down" also show that Trace has recorded some of the best the genre has to offer. The production is crisp and warm, inviting you in with the tasteful instrumentation. Moreover, it’s refreshing to hear someone looking forward to the days ahead rather than try and capture their youth. That's not even the only time we'll see that on this list! Regardless, Trace was on point with this track, and it deserves to be praised. - ZK

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#13
​Midland, "Make A Little"

Midland make’s our list again with the sophomore single from their debut album, On The Rocks.
This catchy tune reminds those who remember, the days of 80’s and 90’s Country radio; perhaps something Dwight Yoakam would record back in his prime.
“Make a Little” doesn’t come close to reinventing the wheel from a lyrical standpoint but it’s subtle charm in those lyrics and throwback sound, which doesn’t rely on drum loops or a throbbing backbeat, makes the listener realize there is a place on mainstream country radio for actual country music. Get up and two-step! - CB
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#12
Carly Pearce, "Every Little Thing"

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​Carly Pearce broke onto the scene this year with what is an exceptional single in "Every Little Thing". Atmospheric and raw, the record thrives in exuding emotion. Pearce demonstrates strong vocal and evocative talent, making for a thoroughly enjoyable record from an act to keep an eye on. - MM

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#11
​Runaway June, "Wild West"


We’ve heard the western clichés before and to be honest, “Wild West” by Wheelhouse Records trio Runaway June hits on most of them.
However, the rest of the track is pretty close to perfection as a 2017 country radio single can get. The song thrives on a sound that is reminiscent of early-to-mid 2000’s country radio, led by plenty of steel guitar and fiddle, which take a listener back to old western America.
But the song thrives the most with its superb melody and beautiful vocals by lead vocalist Naomi Cooke. Her delivery is spot-on with every note and make it an easy entry into our best list. - CB


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#10
​Brad Paisley, "Last Time For Everything"


What sucks about this year's list is that a lot of these songs signal the beginning of the end for some artists, and unfortunately when it comes to his chart success, Brad Paisley is in that club. Simply put, this deserved far better than its paltry top twenty peak. The song is also one of his best singles in quite some time. It tackles the feeling of life never slowing down from a unique perspective with a great hook, and considering Brad’s own career, a lot of the references made here (such as the Prince one) feel earned. Radio might not appreciate you anymore, Brad. However, if you keep putting out quality stuff such as this, I'm sure the fans will reward you. - ZK

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#9
Montgomery Gentry, "Better Me"

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​Enhanced by the tragedy surrounding Troy Gentry earlier in 2017, "Better Me" is absolutely one of the duo's strongest efforts in some time. A lesson is self-reflection and improvement, "Better Me" is a record that exudes hope. Backed by a restrained country-rock production, it's well worth your time to give this one a listen. - MM

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#8
Lee Brice, "Boy"


Lee Brice could have easily played his comeback as safe. After all, his last two singles didn't connect nearly as much as past hits. However, Lee Brice returned in a big way this summer when he released "Boy". Sure, the theme is simple and has been done numerous times in Country music. However, it’s not so much reassuring his boy through false promises that everything’s going to be magically alright everyday. It’s about reassuring him that there are natural phases of life that he’ll experience as well as be able to watch when he has his own boy. The song even gives enough of a clue to insinuate that the learning process doesn’t end at parenting. Welcome back, Lee. It's good to have you. - ZK

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#7
Chris Stapleton, "Broken Halos"


Chris Stapleton takes a lyric of depth and emotion, and makes it truly exceptional with his powerhouse vocal. Wrapping a song about remembering those that have passed with a passionate vocal and an acoustic production, "Broken Halos" is an absolutely outstanding record. - MM​

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#6
​Luke Bryan, "Fast"

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​What Luke Bryan gave us with "Fast" is one of his finest moments. It's a reflective record that tells us to live life to the fullest, because it can fly by. Bryan puts in a top-notch vocal performance, and is enhanced by a melancholic, restrained production. This is the stuff Bryan should be producing with his platform as an A-list mainstream act. - MM

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#5
Miranda Lambert, "Tin Man"

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"Tin Man" finds Miranda Lambert at her absolute best. Vulnerable, intelligent, and impassioned, it's a record that encompasses country music's best traits. As good as her rocking up-tempos can be, Lambert is an artist that's at her best when subdued, and nowhere is that better showcased than here on one of the year's finest moments. - MM

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#4
Alan Jackson, "The Older I Get"


As artists grow older, we don't expect as much out of them. After all, they already gave us their best during their prime. More often than not though, artists will sometimes release quality singles that match up with their best long after the spotlight is gone. Alan Jackson hasn't had a number one hit in nearly a decade (wow does that hurt to say), but as he sings about in "The Older I Get", he's not bitter about his days ahead. He's looking forward to them in a way that puts a different spin on the whole "growing older" theme in country music. Alan Jackson is the artist we don't deserve, and yet our lives are instantly made better by his music. - ZK

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#3
​Maren Morris feat. Vince Gill, "Dear Hate"


While this may be the only song that was never an “official” single, we'd be remiss not to at least mention it. 2017 was marred with a diverse number of tragedies which unfortunately included mass shootings. Granted, nobody can stop a natural disaster, but man-made ones such as those shouldn’t be allowed to happen. Maybe it is “cheesy” to say that love’s going to conquer all at the end of the day, but at the end of the day when we’re reminded of the life we’re given and the people who we’ve been blessed to know, you certainly can’t say hate is going to dominate our lives or choose how we live. That’s the message of this song. - ZK

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#2
​Thomas Rhett, "Marry Me"

​Despite a reputation as a run-of-the-mill bro, Rhett demonstrated true growth with his 2017 album Life Changes, and with "Marry Me", we have the finest track off said album. A devastating song with a clever twist, revealing that the narrator failed to act on his love for the woman in question. With a crisp pop-country production backing it up, and evocative performance from Rhett, we get what was my favorite single of the year, and the best of his career to-date. - MM

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#1
Jon Pardi, "She Ain't In It"


Not many artists were hotter on Country radio in 2017 than Jon Pardi of UMG Nashville.
Pardi followed up a couple huge upbeat #1 singles (“Dirt On My Boots” and “Heartache On The Dance Floor”) with the fourth single from California Sunrise, a powerful throwback sounding tune, with painful lyrics that addresses a man trying to eliminate the memory of his lost relationship.
The song relies on laidback production and a haunting fiddle, accompanied by a steel guitar solo that George Strait would be proud of. Pardi’s vocals aren’t the best but they’re unique, and his delivery of this song drives it home as one of the year’s best singles. - CB



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Single Review: Lee Brice - "That Don't Sound Like You"

8/30/2015

0 Comments

 
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You know, a lot of people tend to overlook Lee Brice, at least in my mind. He’s always struck a nice balance in his songs, such as love songs (“Hard To Love”, “Love Like Crazy”, “A Woman Like You”), sentimental songs (“I Drive Your Truck”, “I Don’t Dance”), and even fun songs like Drinking Class. So now, we have the third single from his 2014 album, I Don’t Dance, titled, “That Don’t Sound Like You”. Unfortunately the song doesn’t connect like some of his best.

“That Don’t Sound Like You” reminds me thematically of Old Dominion’s, “Break Up With Him”. We have a guy who is meeting up with an old lover for the first time in awhile. The woman who the guy used to know is no longer the woman she is today, particularly due to having a new love herself . Unlike the Old Dominion song, Lee doesn’t come across as a total asshole by commanding her to break up with her new boyfriend. He simply states that if she isn’t happy, she can always come back to him. Now, I do have a problem with the way this song is conveyed. We never once hear from the girl herself that things aren’t right between her and her new love. It is merely speculation on the male narrator’s part. So while Lee doesn’t come across as a total macho asshole, he does come across as a tad arrogant thinking that things are wrong just because she doesn’t act like she used to with him.

For the production, I like it. The chorus is booming, but not in a way that is overbearing. Lee delivers a heck of a vocal performance. It might be too much for some people, but I think it fits within the context of country music nicely.

Overall, this song had good intentions, and while I’m sure Lee meant to come across as sincere, he comes across as a tad arrogant instead. Still, if you’re one who can look past the lyrics, this sound isn’t half bad. It doesn’t soar like the first two singles from this album, but it’s definitely not the worst thing you’ll hear this year.

Grade: B-
Listen: “That Don’t Sound Like You”

Author: ​Zackary Kephart

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Single Review:  Lee Brice- "I Don't Dance"

4/17/2014

0 Comments

 
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2 albums into his career, Lee Brice has accomplished a fair bit. 5 top 10 singles, 3 of those being #1's, along with the longest chart run in country music history ("Love Like Crazy") and a bunch of CMA, ACM, and Grammy nominees. To make all that even more impressive, is it was done under Curb Records, and hasn't resorted to selling out to the bro crowd.

He maintains his status as a quality artist recording quality material with lead single "I Don't Dance", and looks likely to continue his red hot radio stretch.

Yes, it's a ballad. Radio hates ballads. Radio has become so anti-ballad that even if you're a star like Keith Urban, you still can't get one up the charts with ease. If you're a female artist, just forget about it. But Lee Brice has somehow managed to get a few of them to the top, and "I Don't Dance" shows no signs of breaking this stretch.

It's a heartfelt love ballad about a man who, despite having no dancing ability whatsoever, is still spinning her around in circles. Paired up with a restrained production, a nice melody, and a sincere performance, and you have another excellent single from one of the most consistent male artists on radio today.


Grade: A-
Listen: "I Don't Dance"

0 Comments

2013 CMA Award Predictions

11/2/2013

1 Comment

 
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For this set of predictions, myself and new writer sabre14 will be making our predictions and picks (Gator is busy so he is unable to join us this time).



Entertainer

Should win:


Taylor Swift
Jason Aldean
George Strait - MM, S14
Blake Shelton
Luke Bryan


Will win:



Taylor Swift
Jason Aldean
George Strait - MM
Blake Shelton
Luke Bryan - S14



Markus:  George will get sympathy votes from voters. Not to mention he's put out the best music of these 5.


sabre14: I just don't have faith George will get enough votes here to overtake Luke. His album is better, and he had a great first leg of his farewell tour. But the massive sales of Luke will be too much in the end.






Male Vocalist


Should win:

Blake Shelton
Jason Aldean - MM
Luke Bryan - S14
Keith Urban
Eric Church


Will win:

Blake Shelton - S14
Jason Aldean 
Luke Bryan - MM
Keith Urban
Eric Church


Markus: If "Fuse" had been released within the eligibility period, Urban would have been my should win by a landslide and Church is my favorite of the bunch but he hasn't done much this year. So I guess I'll go with Aldean. This is Bryan's to lose though.

sabre14: I think the voters will lean Blake purely for the fact of his success of his television appeal coupled with his album being out longer than Luke's. I have to go with my gut on this one.





Female Vocalist

Should win:

Taylor Swift
Miranda Lambert - S14
Carrie Underwood
Kacey Musgraves - MM
Kelly Clarkson


Will win:

Taylor Swift
Miranda Lambert
Carrie Underwood - MM, S14
Kacey Musgraves
Kelly Clarkson


Markus: This one is probably the most competitive group, for both picks. Underwood and Lambert have both released material among their career best this year, but Musgraves' album is too good to overlook. I could see any of them, Clarkson aside, winning this. Swift is the biggest name, Lambert is always a safe bet, Underwood has had a monster year and Musgraves has the critical acclaim. I guess I'll go with CU but wouldn't be suprised to see it go to the one of the aforementioned three.

sabre14: I feel Miranda has the perfect combo of great artistic music along with the success to go with it. But Carrie has the better chart numbers therefore she will win.





Vocal Duo of the Year

Should win:


Big & Rich
Thompson Square - S14
Florida Georgia Line
Love and Theft
Sugarland
The Civil Wars - MM

Will win:

Big & Rich
Thompson Square
Florida Georgia Line - MM, S14
Love and Theft
Sugarland
The Civil Wars 


Markus: A weak year for this category? What a shocker. In all seriousness, if FGL hadn't been arguably the most dominant artist in the format this past year, TCW would have a fighting chance by virtue that they released an album, which is more than B&R or Sugarland have done.


sabre14: Pretty cut and dry category. Thompson Squares album is better and makes better music. FGL have had 3 chart toppers and the digital and album sales to justify them winning.







New Artist of the year

Should win:


Florida Georgia Line
Lee Brice
Kip Moore - MM, S14
Kacey Musgraves
Brett Eldredge

Will win:

Florida Georgia Line - MM, S14
Lee Brice
Kip Moore
Kacey Musgraves
Brett Eldredge


Markus: Probably the best quality wise. I don't really consider Brice a new artist anymore though. I liked FGL's and Brett's debuts, but not quite to the extent I liked the other 2's. I'll give the should to Moore by the slightest of margins. FloGaLine takes this though.


sabre14: This will be my personal favorite of the evening. Kip had a great Album coupled with a string of chart toppers. But I would not be shocked to see the voters give more love than we think to Kacey or Lee. In the end I'll go with FGL with the transcending impact they have made in country music wether I like it or not










Vocal Group of the year

Should win:


Eli Young Band
Lady Antebellum
Little Big Town
The Band Perry - MM
Zac Brown Band - S14


Will win: 

Eli Young Band
Lady Antebellum
Little Big Town - MM
The Band Perry - S14
Zac Brown Band


Markus: "Pioneer" is one of my favorite albums of the year. So they get my should win. I'm still gonna say LBT takes this though, but TBP are gonna start taking these home.


sabre14: I think the time has come for The Band Perry in this category, even though Zac Brown Band made a stellar album and two number one hits.






Vocal Event

Should win:


Florida Georgia Line feat. Nelly, “Cruise”
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care” - MM, S14
Blake Shelton feat. Pistol Annies, “Boys ‘Round Here”
Kelly Clarkson feat. Vince Gill, “Don’t Rush”
Jason Aldean feat. Luke Bryan and Eric Church, “The Only Way I Know”

Will win:

Florida Georgia Line feat. Nelly, “Cruise”
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care” - MM, S14
Blake Shelton feat. Pistol Annies, “Boys ‘Round Here”
Kelly Clarkson feat. Vince Gill, “Don’t Rush”
Jason Aldean feat. Luke Bryan and Eric Church, “The Only Way I Know”


Markus: Pretty competitive this year for a change. 3 of these were #1 hits, the other is huge pop hit and one features two big names. I'll give "HDC" both of them though.

sabre14: To me this song was the best song out of these choices and it was the biggest country hit this year. Pretty simple if you ask me.










Album of the year

Should win:


Blake Shelton, Based on a True Story
Carrie Underwood, Blown Away
Taylor Swift, Red
Kacey Musgraves, Same Trailer, Different Park - MM, S14
Little Big Town, Tornado


Will win:

Blake Shelton, Based on a True Story
Carrie Underwood, Blown Away
Taylor Swift, Red
Kacey Musgraves, Same Trailer, Different Park - MM, S14
Little Big Town, Tornado


Markus: I can't be the only one suprised "Uncaged" and "Night Train" have been completely snubbed at both the ACM/CMA'S so far. This one is close between Kacey and LBT for me but I'll give it to Kacey, who will also win.


sabre14: This one they will get right. Kaceys album was the most unique and well done record this year and I have a feeling the CMA's will see the same thing.







Single of the year

Should win: 


Florida Georgia Line, “Cruise” - MM, S14
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care”
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round”
Darius Rucker, “Wagon Wheel”


Will win:

Florida Georgia Line, “Cruise” - MM, S14
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care”
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round”
Darius Rucker, “Wagon Wheel”



Markus: Say what you will about FGL or "Cruise", but it would be unfair to not give them single of the year.


sabre14: This was the biggest hit on all the charts this year, and sold like crazy. This one has to go to "Cruise"






Song of the year

Should win:


Lee Brice, “I Drive Your Truck”
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round” - MM, S14
Little Big Town, “Pontoon”
Darius Rucker, “Wagon Wheel”

Will win:

Lee Brice, “I Drive Your Truck” - MM
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round” - S14
Little Big Town, “Pontoon”
Darius Rucker, “Wagon Wheel”


Markus: Pretty good "Pontoon" aside. It's close for me between Lee's, Kacey's and Miranda's but I'll give "MGR" the slight edge. "IDYT" takes it though. It touched so many people.

sabre14: If this doesn't win It will be a travesty. Kaceys song was the best song in terms of writing a different impactful yet, putting it in a subtle way to get her message across, and I would think the voters will agree.
1 Comment

5 Second Single Reviews

4/22/2013

0 Comments

 
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Hunter Hayes- "I Want Crazy"

Excellent production, well written and a solid (by Hayes' standards) vocal performance. Hayes inches closer and closer to reaching his full potential. This just proves he has another gear.

Grade: A

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Tate Stevens- "Power Of A Love Song"

He obviously has the talent, he just sounds like he's trying too hard. Too early in his career to try a ballad like this.

Grade: C

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Lee Brice- "Parking Lot Party"

Brice puts in a convincing, solid performance. That does alot for the song. Though I would have prefered "That's When You Know It's Over" or "Friends We Won't Forget" as a single, this is a ton of fun. Guilty pleasure of the year? Yup.

Grade: B

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Casey James- "The Good Life"

More of a vocal showcase than anything. Stronger production and lyrics would do wonders for this young talent.

Grade: C+

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James Wesley- "Thank A Farmer"

Combo of the last two. A very good vocal showcase, with a convincing performance. Passion on the chous elevates it.

Grade: B

0 Comments

ACM Award Nominees+Predictions

2/20/2013

0 Comments

 
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Entertainer

Should win:

Jason Aldean- MM
Blake Shelton
Miranda Lambert- GP
Luke Bryan
Taylor Swift


Will win:

Jason Aldean
Blake Shelton- GP
Miranda Lambert
Luke Bryan
Taylor Swift- MM

Markus:
Meh, went with Aldean because he released "Fly Over States". Swift will win due to fan-voting. 

Gator: Just because, despite her bad year, Miranda is still my favorite. Blake will because he just won't stop it seems.

Male Vocalist

Should win:

Luke Bryan
Jason Aldean
Eric Church- MM, GP
Toby Keith
Blake Shelton


Will win:

Luke Bryan
Jason Aldean
Eric Church- GP
Toby Keith
Blake Shelton- MM

Markus:
Church has released the best music, but I wouldn't bet against Shelton. I like the Toby Keith nom.

Gator: I agree Church has the best music but I think he will win because the ACM's can be pretty adventurous


Female Vocalist

Should win:

Taylor Swift
Miranda Lambert
Martina McBride
Carrie Underwood- MM, GP
Kacey Musgraves


Will win:

Taylor Swift
Miranda Lambert- MM
Martina McBride
Carrie Underwood- GP
Kacey Musgraves


Markus: Why is McBride even nominated? Anyways, I'm not an Underwood fan, but she has released some of the best music of her career, along with a great album. Too bad I can't see Lambert losing.

Gator: Carrie by far has the best vocals in the category and with her great commercial and critical year I think its hers to lose.


Duo

Should win:

Florida Georgia Line
Big & Rich
Thompson Square- MM
Sugarland
Love and Theft


Will win:

Florida Georgia Line- MM, GP
Big & Rich
Thompson Square
Sugarland
Love and Theft


Markus: TS has released "Glass" and "If I Didn't Have You". Two excellent singles. But FGL has dat "Cruise" momentum.

Gator: I don't think any should win and that they should combine this category with group but i suppose it will go to Florida-Georgia Line


Group

Should win:

Eli Young Band
Lady Antebellum
The Band Perry
Little Big Town- GP
Zac Brown Band- MM


Will win:

Eli Young Band
Lady Antebellum
The Band Perry
Little Big Town- MM, GP
Zac Brown Band


Markus: It's the LBT era now. So they'll win. But I'm rooting for ZBB all the way!

Gator: This time next year I'll be voting for The Band Perry most likely, but since it's not, I'll go with Little BIg Town because they've been good quality and great commercially.

Single

Should win:

Little Big Town- 'Pontoon'
Miranda Lambert- 'Over You'
Eli Young Band- 'Even If It Breaks Your Heart'
Eric Church- 'Springsteen'- MM, GP
Hunter Hayes- 'Wanted'


Will win:

Little Big Town- 'Pontoon'- MM, GP
Miranda Lambert- 'Over You'
Eli Young Band- 'Even If It Breaks Your Heart'
Eric Church- 'Springsteen'
Hunter Hayes- 'Wanted'


Markus: 'Springsteen' is by far my favorite. But I can't seem them passing on 'Pontoon' after the CMA's and Grammy's didn't. It's not like the ACM's have ever been creative.  

Gator: I like Church's the best but I don't think "Pontoon" is as bad as people try to make it out. I can handle it winning,


Song

Should win:

Miranda Lambert- 'Over You'
Eli Young Band- 'Even If It Breaks Your Heart'
Eric Church- 'Springsteen'- MM, GP
Lee Brice- 'A Woman Like You'
Hunter Hayes- 'Wanted'


Will win:

Miranda Lambert- 'Over You'- MM, GP
Eli Young Band- 'Even If It Breaks Your Heart'
Eric Church- 'Springsteen'
Lee Brice- 'A Woman Like You'
Hunter Hayes- 'Wanted'


Markus: 'Springsteen' is legendary, but will lose to 'Over You'. *sigh*.

Gator: One final nomination for "Over You" and one final victory. I've got to say it has grown on me with all this belated attention.


Vocal event

Should win:

Kelly Clarkson & Vince Gill- 'Don't Rush'- GP
Kenny Chesney & Tim McGraw- 'Feel Like A Rockstar'
Rascal Flatts & Natasha Bedingfield- 'Easy'- MM
Jason Aldean, Eric Church & Luke Bryan- 'The Only Way I Know'
David Nail & Sarah Buxton- 'Let It Rain'


Will win:

Kelly Clarkson & Vince Gill- 'Don't Rush'
Kenny Chesney & Tim McGraw- 'Feel Like A Rockstar'
Rascal Flatts & Natasha Bedingfield- 'Easy'
Jason Aldean, Eric Church & Luke Bryan- 'The Only Way I Know'- MM, GP
David Nail & Sarah Buxton- 'Let It Rain'


Markus: None of them blow me away, but 'Easy' is my fave. Though, I guarantee 'The Only Way I Know' will win.

Gator: I think Vince and Kelly are the best (and if this was the Grammy's it would have a chance) but the star power is too much to bypass here.


Album
 
Should win:

Taylor Swift- 'Red'
Eric Church- 'Chief'- MM
Carrie Underwood- 'Blown Away'- GP
Luke Bryan- 'Tailgates and Tanlines'
Little Big Town- 'Tornado'


Will win:

Taylor Swift- 'Red'
Eric Church- 'Chief'- MM, GP
Carrie Underwood- 'Blown Away'
Luke Bryan- 'Tailgates and Tanlines'
Little Big Town- 'Tornado'
 

Markus: 'Chief' is my fave and I also have a feeling it will win.

Gator: Underwood did some great stuff and was the biggest step forward, but I don't see her picking it up over Church.



New Artist

Should win:
 
Florida Georgia Line
Brantley Gilbert- MM
Jana Kramer - GP

Will win: 

Florida Georgia Line
Brantley Gilbert- MM, GP
Jana Kramer

Markus: Don't love any of them, but I love "More Than Miles", so I guess I'll go with Gilbert. Oh, he will win as well.

Gator: Jana is by far the most acceptable nominee and the most interesting one. While I'd love to see her deservingly win this, I see her fiancee stepping in for the victory.


Video

Should win:
 
Eric Church- 'Creepin'
Kacey Musgraves- 'Merry Go 'Round'- GP
Hunter Hayes- 'Wanted'
Little Big Town- 'Tornado'
Taylor Swift- 'We Are Never Ever Ever Getting Back Together'
Zac Brown Band- 'The Wind' - MM

Will win:

Eric Church- 'Creepin'- MM
Kacey Musgraves- 'Merry Go 'Round'- GP
Hunter Hayes- 'Wanted'
Little Big Town- 'Tornado'
Taylor Swift- 'We Are Never Ever Ever Getting Back Together'
Zac Brown Band- 'The Wind'
 
Markus: Lol. How can you not love the video for 'The Wind'? I also like the video for 'Merry Go Round' though. I think this will go to 'Creepin' but I could see 'Wanted' taking it as well.

Gator: I personally think that Musgraves' video was an eloquent depiction of her excellent single and the fact that she is even nominated is awesome. Her somewhat surprising nomination makes me think she could win it, but I would not be surprised if Hayes sneaks in with his boyish charm.
0 Comments

New Artist Nominee Predictions

1/15/2013

1 Comment

 
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The nominees for the new artist catagories were announced
today.

Female


Should Win:

Jana Kramer
Kacey Musgraves- MM, GP
Sunny Sweeney


Will Win:

Jana Kramer- MM, GP
Kacey Musgraves
Sunny Sweeney


Markus: Musgraves seems to be the most interesting and released "Merry Go Round" one of
my 2012 faves. But Jana had a top 5 smash in "Why Ya Wanna" so she's pretty much
a lock for it. No idea why Sweeney was nominated...


Gator: I like both Kacey and Jana a lot so I am fine either way with those results. I
just think Kacey is the more interesting talent as of yet, although she doesn't
have as much of a foundation to warrant this nomination.. Don't get me started
on Sunny..




Male


Should Win:

Brantley Gilbert
Hunter Hayes- GP
Lee Brice- MM


Will Win:

Brantley Gilbert- MM
Hunter Hayes- GP
Lee Brice


Markus: Kip Moore. But of the nominees, Brice is my fave by far of the 3. For the will win, its a
toss-up with Brantley and Hunter, but I'll go with the former, seeing as he has
some of the most loyal fans in the genre.


Gator: Honestly, I do not like any of them all that much  but I think Hunter has the
most raw talent and promise, plus crazy teen fans, so I'll go with him.
 




Duo/Group


Should Win:

Florida-Georgia Line- MM
Love and Theft
Thompson Square- GP


Will Win:

Florida-Georgia Line- MM, GP
Love and Theft
Thompson Square


Markus: I loved "Cruise" and I like "Get Your Shine On" so I'll go with FGL. "Cruise"
was a huge hit so I'll go with them for the win too. But L&T had a #1 hit
and TS has the CMA momentum so it's anyone's game.


Gator: No one should win in terms of age out, quality or anything. Thompson is pretty
good but they have been out for too long and did not have much output so I can't
even justify that one very well. Sadly, Florida-Georgia Line will win and I will
likely be disappointed.

 


1 Comment

Single Review: Lee Brice- "I Drive Your Truck"

12/17/2012

0 Comments

 
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 You know what I love?

When an artist sings a song like he means it. Thats what Lee Brice does here on his newest single "I Drive Your Truck". Now. I'm not sure if this has actually happened to Brice, but he sings like it has.

"I Drive Your Truck" is about the narrarator losing his brother, and drives his brothers truck to ease the pain. Aside from the moving topic of the single, "I Drive Your Truck" also supplies great imagery such as "...../ Half empty bottle of gatorade rolling on the floor boards..." .

The production does a good job of not getting on the way, and that piano playing is beautiful.

This is sure to snag a song of the year win, and will likely have people reaching for their tissue box by the end.

Grade: A 

0 Comments

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