This Is Country Music
  • Home
  • Album Reviews
  • Other Stuff
  • Archives

Top 20 Singles of 2020

12/10/2020

1 Comment

 
Mainstream country music has continued to delve further into patterns of repetition, relying on inauthentic productions and lifeless songwriting. Amid the storm of mundanity that is country radio, some voices have remained compelling and dedicated to crafting art worth not just listening to, but remembering. 

This year's group is an eclectic bunch, made of newcomers, established stars, and comeback stories. It's a group that showcases risk taking in an avenue that generally pushes back on it. Most importantly, these are tracks that are likely to hold the test of time and encompass the traditions of country music, whether in storytelling or style. Enjoy our top 20 radio singles of 2020, and have a very happy holidays!
Picture
#20
Brett Eldredge, "Gabrielle"

As mature as Brett Eldredge has ever sounded. His vocals are given room to shine against a crisp and compelling production scheme that blends an almost AC-pop sound with more traditional elements. It's a reflective track that finds Eldredge putting his talents to good use. Refreshing. - Markus Meyer
Picture
#19
The Chicks, "Gaslighter"


It had to grow on me, but the Chicks’ big comeback single represents just about everything you’d hope for from them – a fiery, blustering presentation, a biting indictment of a certain someone explored even further on the album it stems from, and an all-around infectious hook. I wanted more from said album, but this was a very welcome return. - Zackary Kephart
Picture
#18
The Chicks, "Sleep at Night"

Dynamic, clever, and well-structured, evoking equal parts regret, sadness, and anger with a remarkable performance from Natalie Maines. A standout from an album with strong high points. - MM
​

​
Picture
#17
​Carly Pearce, "Netx Girl"

I’m not as enamored with this as most other critics – if anything, I prefer “I Hope You’re Happy Now” and other cuts off her self-titled album - but I do appreciate the fresh direction Carly Pearce takes here. The presentation is organic and solid, the groove is prominent, and it’s as good of a kiss-off track as we got this year, warning that next girl to not make the same mistakes she did. I’m looking forward to hearing where Pearce takes this sound in 2021. - ZK
Picture
#16
​Jon Pardi, "Ain't Always the Cowboy"

Heresy as it is to say, Jon Pardi has been inconsistent for awhile now, at least, to me. This isn’t the case, though, and beyond the clever George Strait nod and tones I like hearing in a country song, there’s a maturity to the breakup sentiment, where Pardi almost sounds jubilant in getting to buck the titular stereotype. Good stuff; I’m happy (and genuinely shocked) it actually became a hit. - ZK
Picture
#15
Kelsea Ballerini, "hole in the bottle"

For anyone who’s read our “worst singles” list, I should offer a clarification: there’s nothing wrong with good-time party music, and sometimes the escapism it offers is the first step to finding genuine happiness. The worst examples of those types of singles this year were just dour and dumb. This, on the other hand, flips the script a bit. Kelsea Ballerini is reveling in her misery by framing it with a self-aware wit, where she’ll only take things far enough to have some lighthearted fun and nothing more. I wish the ballerini version had become the hit, but for just a small moment in time this year, there was an actual country song that was infectious and smart. - ZK
Picture
#14
Miranda Lambert, "Bluebird"

All of Lambert's best qualities on display. Quirky and accessible, clever writing and a memorable hook. Full of charm and charisma with a production that balances innovation with rootsiness. Well deserving of its hit status. - MM
Picture
#13
Ashley McBryde, "Martha Divine"

Impeccable storytelling with a roaring chorus and performance. Highly impressive effort from an artist who so effectively balances sonic elements with intricate and compelling writing. Emblematic of all McBryde's greatest artistic strengths. - MM
Picture
#12
Maren Morris, "To Hell & Back"

Between her involvement with the Highwomen project and this single, I’m starting to come around on Maren Morris, though I’m still going to temper those expectations. At any rate, “To Hell & Back” is her best single yet, so of course it’s one that hasn’t moved the needle at country radio. *Sigh* But beyond the organic groove bolstering the sentiment, there’s something to appreciate in a love story that doesn’t try to overdo it. This couple has accepted each other for who they are, for better or worse, and considering the writing plays with a bit of a Gothic tinge, it was another single that should have been so much bigger than it was. - ZK
Picture
#11
Luke Combs feat. Eric Church, "Does to Me"


By far Luke Combs' finest effort to-date. Highly detailed while remaining universal, and rooted in sentiments that, to some extent, ring true for everyone. A big production scheme that never feels bombastic with a performance from Combs that ties things all together. Church adds a nice dose of wisdom in the bridge. Superb track. - MM
Picture
#10
Zac Brown Band, "Leaving Love Behind"


Zac Brown Band's The Owl was an atrocious effort, with "Leaving Love Behind" serving as an easy standout. It finds them in top form, with a moving lyric, a sparse piano production, and a compelling performance from Brown. A mature, thoughtful effort that finds them at the height of their abilities. - MM
Picture
#9
​Runaway June, "We Were Rich"

Either version is great, and though it’s another case of a country radio single that is far from a hit here, this year specifically, it should have been. The sentiment of realizing you have it so much better than others even when you don’t have much resonated so much more this year than it did upon its initial release in 2019, and while no member of the band – past or present – wrote this, they perform it like they did. Best of all, though, it’s a reminder that, while poverty is an inescapable reality for some, it need not define who they are. - ZK
Picture
#8
Miranda Lambert, "Settling Down"

A remarkable balance of hope, contemplation, and melancholy that finds Lambert in peak form as a performer. An exellent hook and a melodic structure that begs for repeat listens. Lambert's best single in years, which says something for an artist of her consistency and excellence. - MM
Picture
#7
Taylor Swift, "betty"


In my view the most impressive single of the year. Well-structured and with excellent character and perspective development, "betty" showcases Swift's knack for storytelling and evocation in a way that puts her well above her peers. The harmonicas and acoustic backdrop make for an irresistable record. Just so, so good and is perhaps Swift's best ever country release. - MM
Picture
#6
Mickey Guyton, "Black Like Me"

Arguably the most important song of 2020 – a call for empathy from white listeners to understand the struggles Mickey Guyton – as well as others in the black community – struggle with daily. The specific proof for Guyton is evident in country radio’s chilly reception toward her thus far, but there’s also the struggles we don’t – and haven’t – seen that define this recording. It’s easy to say a recording resonated even more strongly in a given year, but in 2020, this absolutely did. It’s not the point where anyone should have jumped on the Guyton bandwagon, but hey, better late than never. Let’s keep it going. - ZK
Picture
#5
Eric Church, "Stick That In Your Country Song"

Whereas Eric Church’s Desperate Man album era found him at a loss for words for how to navigate the current cultural climate, “Stick That in Your Country Song” is the result of him finding what he wanted – and needed – to say. Granted, the actual message is a bit scattered, but for anyone who saw our “worst of” list, it’s refreshing to hear an artist fed up with songs and artists that say nothing, coming from one who is ready to hold them accountable. It’s Church at his angriest, and we’re all the better for it. - ZK
Picture
#4
Ingrid Andress, "The Stranger"

Andress once again shows her vocal and songwriting prowess on "The Stranger". It's an interesting take on a fizzling relationship that feels both polished and earnest. Memorable hook, electric performance, and a lush backdrop makes for another killer record from one of the most promising talents in mainstream country music. - MM
Picture
#3
Chris Stapleton, "Starting Over"

Bombastic, no, but tremendous nonetheless. Stapleton dials it down here, but the simplicity works. It's a refreshing, breezy track that hits all the intended notes. Stapleton is in top form and the melody hooks you in instantly. Exellent stuff and a nice welcome back for Stapleton. - MM
Picture
#2
Eric Church, "Hell of a View"

Scattered and inconsistent as they were, Eric Church’s run of singles this year was, at the very least, fascinating. It’s ironic, then, that his best single of the year was one of his most straightforward and simplest yet. It’s a fairly standard tale of devotion, but one bolstered by its deeper production balance that offers a surprising amount of ragged punch to the simultaneous joy and anguish of “making it” thus far. It’s a song that sounds weary yet still has the energy left to push on through, and if that wasn’t far too relatable this year, I don’t know what was. - ZK
Picture
#1
Mickey Guyton, "What Are You Gonna Tell Her?"

I guess I understand the cold reception this received from country radio in April, given the subject matter and how they’ve generally received Mickey Guyton thus far. I mean, I guess I should say I don’t get it, so much as I’m just not surprised. But now, in the aftermath of the year she had? There’s no excuse. Yet “What Are You Gonna Tell Her” rolls on anyway, a brutally honest blow to any woman who’d dare dream for higher aspirations … because society has failed them time and time again, and you can’t blame someone who gives in to fatigue after maintaining hope for so long. But it’s also a bit more universal in its message of sex and race, not to mention that hard work isn’t necessarily the key driver for success anymore for many, if it ever really was. In an industry where it’s been proven – with data, I might add – that the deck is stacked against female artists and artists of color, especially at country radio, it hits a little too hard, especially when it’s, you know, Mickey Guyton behind the microphone. It’s the best single of the year that wasn’t a radio hit - it never even charted, actually - and that’s proof enough of why we need to try and do better in 2021. - ZK
1 Comment

Top 20 Singles of 2019

12/16/2019

0 Comments

 
After breaking down the worst mainstream country music had to offer in 2019, it's time to take a more positive look at the music that made our years. It's a diverse list that includes both radio smashes and commercial underdogs, and that covers the wide range of emotions and experiences that makes the genre so special. Here are the top 20 singles of 2019, brought to you as always by myself, Markus, and Zack. Let us know what your favorites were, and here's to another great year (and decade) of music!
Picture
#20
​Jason Aldean, "Rearview Town"

To Jason Aldean’s credit, his stoic, rough demeanor can work incredibly well for a song, given the content. For “Rearview Town,” there’s a brooding sense of nihilistic fury as the narrator leaves his nowhere town behind. For once, too, there’s a deeper subtext to the situation; Aldean may be leaving because of a breakup, but the decision comes from years of watching rusted plows and a general decay of a place he used to love. - Zackary Kephart
Picture
#19
​Brooks & Dunn feat. Luke Combs, "Brand New Man"


​An electric cover that is actually superior to the original. Combs adds a massive dose of energy to the track, and blends perfectly with Ronnie Dunn's always-excellent vocals. An exhilarating track that exceptionally blends the past and present of country music. - Markus Meyer
Picture
#18
Parmalee, "Be Alright"


I certainly didn't have 'Parmalee covering  a pop smash and making my year-end list' on my 2019 country music bingo card, but here we are. It's a very well-done version of an already good song, with Matt Thomas coming off as immensely sincere and the production adding a layer of regret to the track. Parmalee is pretty hit-or-miss (emphasis on the miss, lately), but "Be Alright" is a great effort that deserves credit for its earnestness and emotional depth. - MM
Picture
#17
​Riley Green, "In Love By Now"


I’ll forever wish this could have been the hit over “I Wish Grandpas Never Died.” It’s Green’s sunny disposition that sells this track – a lighthearted, yet mature. reflection of wondering where a former lover is now and wishing them the best. The tones are rollicking enough to support the song’s brighter atmosphere, and the general optimism surrounding how both parties will be alright in the end makes this one of the funnest breakup songs in recent memory. - ZK
Picture
#16
Brantley Gilbert feat. Lindsay Ell, "What Happens In a Small Town"


There a lot of problems with Fire and Brimstone as an album, but the hit lead single represents a lot of what Brantley Gilbert does well. The hook is memorable, the melody effective, and the production relatively restrained. What really makes it click is the chemistry between Ell and Gilbert, an unlikely combo but one that ultimately succeeds with flying colours. An excellent return to form after a handful of poor radio releases. - MM
Picture
#15
Carly Pearce feat. Lee Brice, "I Hope You're Happy Now"


After the unfortunate mess of “Closer To You,” it’s refreshing to hear Carly Pearce return to a sound comfortable for her with “I Hope You’re Happy Now.” The real gut-punch of the track comes in both lovers thinking they’re doing the other one a favor by saying goodbye, and deep down neither one wants that. Lee Brice hasn’t sounded this good in years. - ZK
Picture
#14
Midland, "Mr. Lonely"


The title character may be sleazy as hell, but when the song is an exercise in lighthearted fun, it’s more than forgivable. Beyond feeling like a literal blast to the past, “Mr. Lonely” excels for its top-notch energy and clever one-liners (how did no one come up with “I’m the number that you know by broken heart” yet?). - ZK

Picture
#13
Ashley McBryde, "One Night Standards"


For as much as I enjoy every song on this list, very few of them explored dark, uncomfortable territory. Granted, Ashley McBryde isn’t getting the radio airplay she deserves anyway, so she might as well deliver “One Night Standards” - a blunt, painful exchange of rules for a one night stand, where the focus is less on the deed and more on the subtle implications of how badly damaged the narrator to not care anymore. McBryde’s performance is what truly sells this track. - ZK
Picture
#12
Maddie & Tae, "Die From a Broken Heart"


A damning sign of the times more than anything, Maddie and Tae’s team thought pushing “Friends Don’t” over this song last year was a good idea. Now, more than a year later, the momentum behind “Die From A Broken Heart” has faded, but the song remains a wonderful return to form for the duo. Despite stemming from a younger perspective, the narrator’s pain never feels oversold, and instead tells its story from the questions she asks to her mother. It’s a genuine expression of pain that’s heartfelt and relatable in any scenario. - ZK

Picture
#11
Randy Houser, "No Stone Unturned"


The revival of Randy Houser is one of the most noteworthy storylines of 2019 for country music, and "No Stone Unturned" epitomizes this development. It's a refreshing, lively record that enbodies the carefree spirit it details, He's in top form vocally, and the production is a perfect blend of contemporary stylings and traditional influence. A superb effort from a former victim of the bro-country influx. - MM
Picture
#10
​Thomas Rhett, "Remember You Young"


"Remember You Young" encompasses Thomas Rhett's best traits: a magnetic performance, a tight, coherent production, a compelling melody and hook, and a mature, reflective outlook on life. It's a dynamic record that is both memorable and accessible. Center Point Road was a lot of what Rhett does poorly, but this track is undoubtedly a career highlight for him. - MM
Picture
#9
​Eric Church. "Some of It"


A list song, but the good kind. "Some of It" expresses a sense of wisdom and reflection backed by an effective production and melody, fostering both unbound optimism and melancholic reflection. It's somewhat of a sonic diversion for Church, but once again exemplifies that he's the most compelling star in mainstream country music these days. - MM
Picture
#8
Blake Shelton, "God's Country"


Let’s be honest – Blake Shelton hadn’t released an interesting single in nearly a decade. Then comes along “God’s Country” - a dark, southern-Gothic-inspired track that found Shelton in top form, vocally. Even if it’s little more than a salute to the character’s rural land, it avoids the typical pandering and cliches by coming across as a mystifying reverence for the world around him. It’s one of the biggest singles of the year, and for once it’s for a good reason. - ZK
Picture
#7
Kelsea Ballerini, "homecoming queen?"


In what is by far her best effort to-date, Kelsea Ballerini demonstrates a sense of vulnerability rarely seen on country radio these days. A stunning empowerment ode that balances exceptional songwriting with a tender pop-county backdrop. Remarkable stuff. - MM
Picture
#6
Tenille Townes, "Jersey on the Wall (I'm Just Asking)"


What this single demonstrates is Tenille Townes' ability to blend an intricate storyline with a broader thematic arc, making for a compelling listen. The performance exudes equal parts regret and wonder, with a production that only amplifies those sentiments. Townes is maybe the most exciting young talent in the genre these days, and "Jersey on the Wall (I'm Just Asking)" only reinforces that. - MM
Picture
#5
Kacey Musgraves, "Rainbow"


Fresh off her Grammy Award sweep, Kacey Musgraves should have had one of the biggest hits of the year when “Rainbow” was released. Instead, like pretty much any of her singles outside of “Merry ‘Go Round,” the song floundered within the top 40 at radio. It’s all the more sad given that the song’s message of hope and resilience, wrapped in an understated, poetic elegance, was among the songs we needed in 2019. One of her best in any capacity, though. - ZK
Picture
#4
Luke Combs, "Even Though I'm Leaving"


Sure, the song basically goes overboard to tug at the listener’s heartstrings, but it works. The bond between the father and son begins and ends with a promise to protect, and even if that ending is fairly predictable, Luke Combs effectively underplays the track to make sure it connects anyway. Plus, I’m a sucker for that mandolin. - ZK

Picture
#3
Eric Church, "Monsters"


​A masterful blend of faith and humanity, made accessible by Church's earnest performance and the largely acoustic backdrop. Maybe his best written song to-date, and an effort that demonstrates his continued artistic growth and maturity. The hook is both powerful and melodically competent. Church continues to outdo himself. - MM
Picture
#2
Ashley McBryde, "Girl Goin' Nowhere"


In a just world, “Girl Goin’ Nowhere” would be Ashley McBryde’s signature song – a personal victory lap where the triumph comes in just being able to play music. With her recent recognition from the Country Music Association and Grammys, Ashley McBryde may not have the radio hits, but she’s proving she doesn’t need them to get somewhere. - ZK
Picture
#1
Ingrid Andress, "More Hearts Than Mine"


An essentially flawless record from a dynamic young talent. The songwriting is raw and unique; the melody and hook flow wonderfully; the production expertly blends traditionalism and modern stylings. The highlight is the vocal performance, as Andress is both a uniquely capable technical vocalist and an impactfully expressive performer. Country radio's apparent embrace of "More Hearts Than Mine" may be their best decision in years, and if there's any justice, Andress will be a mainstream staple for years to come. - MM
0 Comments

Summer Single Round-Up

5/27/2014

2 Comments

 
Ah yes. Summer time. The time where anthems and up-tempos rule the airwaves and where ballads go to die. It is time for our summer single round-up.

Picture
Eric Church - "Cold One"

This was the standout from The Outsiders for me. At first glance it comes across as just another drinking song. But it's actually a breakup song. The production is funky but not overly thick and Church sells it. Good stuff.

Grade: A

Picture
Brantley Gilbert feat. Thomas Rhett and Justin Moore - "Small Town Throwdown"

I'll admit, "Bottoms Up" really grew on me, but I can't get into this one. Rhett sounds terrible on here (I actually usually like his voice) and the lyrics are ridiculously cliched. Solid performance from Moore but overall, meh.


Grade: C

Picture
Danielle Bradbery - "Young In America"

This is pure fluff, but good fluff. Bradbery sounds good here and sounds like she is legitimately enjoying herself. Production is restrained and an infectious melody. I can get into this.

Grade: B

Picture
Thompson Square - "Testing the Water"

Why? Just why? For an album full of fun, infectious tunes why this? A song like "Here's To Being Here" has so much energy and charisma. This is dull. I don't say that about much of Thompson Square's stuff.


Grade: C

Picture
Brad Paisley - "River Bank"

Lyrically clever, takes the interesting production traits of Wheelhouse and makes it a bit more radio friendly, a performance reminiscent of Paisley's early work. I was hoping it wouldn't be a copy of "Water". It wasn't.

Grade: B+

Picture
Florida Georgia Line feat. Luke Bryan - "This Is How We Roll"

The rapping here is crap. It seriously sucks. So do the lyrics. But I find myself jamming to it. It's catchy as hell. I like it. Can we forget I ever said that now?


Grade: B

Picture
Dustin Lynch - "Where It's At"

This is very, very average. Boring lyrics, boring production, boring melody, boring vocals, boring single cover. ZZZZZZZZZ.

Grade: C-

2 Comments

Top 15 Worst Singles Of The Year

12/16/2013

0 Comments

 
Wow. What a year in country music. You have some artists releasing career best material, yet other have to cancel that out with some of the biggest piles of crap I've heard in the past few years (yes, I do in fact dislike some songs).
Myself, sabre14 and Pulse Music Board user .indulgecountry compiled lists of our 15 least favorite singles of 2013 and using a points system I made the following list. Ladies and gentlemen, may I present you TICM's top 15 worst singles of 2013.

Picture
#15 
Jason Mitchell, "Stomp"

"Stomp, stomp, shake your rhomp", I rest my case. -S14

Picture
#14
Chris Young, "Aw Naw"

Frat-boy anthem tailor made for radio. Young is capable of so much more than this. 
- MM

Picture
#13
Florida-Georgia Line, "Stay"


I actually think Stay is FGL's worst single to date. It's lyrics are cringeworthy, and unrealistic. And the vocal performance is below average as well. - S14



Picture
#12
Eric Church, "The Outsiders"


An over-calculated statement song that fails to really say anything.
Poorly-phrased and hackneyed lyrics are treated to a shouty vocal performance
and drowned in heavy metal production that leaves out any indication of country music from the equation. -IC

Picture
#11
Kelly Clarkson, "Tie It Up"


Screechy, overproduced pop music. I have no doubt Clarkson is capable of great country music, but if this is a sign of things to come, my expectations are not high 
-MM

Picture
#10
Toby Keith, "Shut Up And Hold On"



Toby really can't do much worse than this tune. What is up with that backup singer at the end Toby? -S14


Picture
#9
Blackjack Billy, "Get Some"


I could go on a rant. But I've spent enough of my time and effort writing about these guys already. -MM

Picture
#8
Blake Shelton, "Boys 'Round Here"


 Lyrically the song plays out like a checklist of all the country cliches
that can be covered in one song, with a delivery akin to having those lyrics
first thrown into a blender. It also relies heavily on gimmicky, repetitive
lines to create hooks and features a poor vocal delivery from a singer capable
of much better. -IC

Picture
#7 
Tim McGraw, "Southern Girl"


 Let's see here. Boring, cliche,.. uh... Boring. This song was the definition of mediocrity. "Southern Girl" rivals "Truck Yeah" for the worst single of Tim's career. -S14

Picture
#6
Jason Aldean, "1994"

Lazy, nonsensical lyrics that rely too much on cramming as many ill-fitting
references to Joe Diffie tunes into one song are only made worse by an equally
uninspired vocal performance. Things are made worse by a ridiculous chant of
Diffie's name and generic rock production. -IC

Picture
#5
Jerrod Niemann, "Drink To That All Night"


Can we please stop it with the auto tune. There is no need for it in this genre. The auto tune coupled with the dance bar type beat makes this a pop song on country radio. Jerrod's voice is subpar on this song to say the least. -S14

Picture
#4
Blackjack Billy, "The Booze Cruise"

My cat threw up. It could have made a better song than this. I'm not exaggerating. These guys have no talent, this isn't catchy, original or intelligent in any way. -MM

Picture
#3
Dallas Smith, "Tippin Point"


Please don't make judgements of Canadian country based on this song. There is so much better stuff. Bro-y lyrics, average production and the vocals are processed to death. -MM

Picture
#2
Luke Bryan, "That's My Kind Of Night"

This song is one big fat mess in every aspect. Any and all elements of
country music are absent from its production and cringe-worthy vocal effects
plague the chorus, the melody is unpleasant, and the lyrics are just
embarrassingly bad. Nothing about this is a "winner". -IC

Picture
#1
Chase Rice, "Ready Set Roll"


I can only put a few lines down here, so I'll hold back the best I can. My least favorite single in years. It's uncreative. Horribly cliche. Awful lyrics. And in my opinion degrading to women. This is the best example of trying to capitalize on Bro-Country. -S14

0 Comments

2013 CMA Award Predictions

11/2/2013

1 Comment

 
Picture
For this set of predictions, myself and new writer sabre14 will be making our predictions and picks (Gator is busy so he is unable to join us this time).



Entertainer

Should win:


Taylor Swift
Jason Aldean
George Strait - MM, S14
Blake Shelton
Luke Bryan


Will win:



Taylor Swift
Jason Aldean
George Strait - MM
Blake Shelton
Luke Bryan - S14



Markus:  George will get sympathy votes from voters. Not to mention he's put out the best music of these 5.


sabre14: I just don't have faith George will get enough votes here to overtake Luke. His album is better, and he had a great first leg of his farewell tour. But the massive sales of Luke will be too much in the end.






Male Vocalist


Should win:

Blake Shelton
Jason Aldean - MM
Luke Bryan - S14
Keith Urban
Eric Church


Will win:

Blake Shelton - S14
Jason Aldean 
Luke Bryan - MM
Keith Urban
Eric Church


Markus: If "Fuse" had been released within the eligibility period, Urban would have been my should win by a landslide and Church is my favorite of the bunch but he hasn't done much this year. So I guess I'll go with Aldean. This is Bryan's to lose though.

sabre14: I think the voters will lean Blake purely for the fact of his success of his television appeal coupled with his album being out longer than Luke's. I have to go with my gut on this one.





Female Vocalist

Should win:

Taylor Swift
Miranda Lambert - S14
Carrie Underwood
Kacey Musgraves - MM
Kelly Clarkson


Will win:

Taylor Swift
Miranda Lambert
Carrie Underwood - MM, S14
Kacey Musgraves
Kelly Clarkson


Markus: This one is probably the most competitive group, for both picks. Underwood and Lambert have both released material among their career best this year, but Musgraves' album is too good to overlook. I could see any of them, Clarkson aside, winning this. Swift is the biggest name, Lambert is always a safe bet, Underwood has had a monster year and Musgraves has the critical acclaim. I guess I'll go with CU but wouldn't be suprised to see it go to the one of the aforementioned three.

sabre14: I feel Miranda has the perfect combo of great artistic music along with the success to go with it. But Carrie has the better chart numbers therefore she will win.





Vocal Duo of the Year

Should win:


Big & Rich
Thompson Square - S14
Florida Georgia Line
Love and Theft
Sugarland
The Civil Wars - MM

Will win:

Big & Rich
Thompson Square
Florida Georgia Line - MM, S14
Love and Theft
Sugarland
The Civil Wars 


Markus: A weak year for this category? What a shocker. In all seriousness, if FGL hadn't been arguably the most dominant artist in the format this past year, TCW would have a fighting chance by virtue that they released an album, which is more than B&R or Sugarland have done.


sabre14: Pretty cut and dry category. Thompson Squares album is better and makes better music. FGL have had 3 chart toppers and the digital and album sales to justify them winning.







New Artist of the year

Should win:


Florida Georgia Line
Lee Brice
Kip Moore - MM, S14
Kacey Musgraves
Brett Eldredge

Will win:

Florida Georgia Line - MM, S14
Lee Brice
Kip Moore
Kacey Musgraves
Brett Eldredge


Markus: Probably the best quality wise. I don't really consider Brice a new artist anymore though. I liked FGL's and Brett's debuts, but not quite to the extent I liked the other 2's. I'll give the should to Moore by the slightest of margins. FloGaLine takes this though.


sabre14: This will be my personal favorite of the evening. Kip had a great Album coupled with a string of chart toppers. But I would not be shocked to see the voters give more love than we think to Kacey or Lee. In the end I'll go with FGL with the transcending impact they have made in country music wether I like it or not










Vocal Group of the year

Should win:


Eli Young Band
Lady Antebellum
Little Big Town
The Band Perry - MM
Zac Brown Band - S14


Will win: 

Eli Young Band
Lady Antebellum
Little Big Town - MM
The Band Perry - S14
Zac Brown Band


Markus: "Pioneer" is one of my favorite albums of the year. So they get my should win. I'm still gonna say LBT takes this though, but TBP are gonna start taking these home.


sabre14: I think the time has come for The Band Perry in this category, even though Zac Brown Band made a stellar album and two number one hits.






Vocal Event

Should win:


Florida Georgia Line feat. Nelly, “Cruise”
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care” - MM, S14
Blake Shelton feat. Pistol Annies, “Boys ‘Round Here”
Kelly Clarkson feat. Vince Gill, “Don’t Rush”
Jason Aldean feat. Luke Bryan and Eric Church, “The Only Way I Know”

Will win:

Florida Georgia Line feat. Nelly, “Cruise”
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care” - MM, S14
Blake Shelton feat. Pistol Annies, “Boys ‘Round Here”
Kelly Clarkson feat. Vince Gill, “Don’t Rush”
Jason Aldean feat. Luke Bryan and Eric Church, “The Only Way I Know”


Markus: Pretty competitive this year for a change. 3 of these were #1 hits, the other is huge pop hit and one features two big names. I'll give "HDC" both of them though.

sabre14: To me this song was the best song out of these choices and it was the biggest country hit this year. Pretty simple if you ask me.










Album of the year

Should win:


Blake Shelton, Based on a True Story
Carrie Underwood, Blown Away
Taylor Swift, Red
Kacey Musgraves, Same Trailer, Different Park - MM, S14
Little Big Town, Tornado


Will win:

Blake Shelton, Based on a True Story
Carrie Underwood, Blown Away
Taylor Swift, Red
Kacey Musgraves, Same Trailer, Different Park - MM, S14
Little Big Town, Tornado


Markus: I can't be the only one suprised "Uncaged" and "Night Train" have been completely snubbed at both the ACM/CMA'S so far. This one is close between Kacey and LBT for me but I'll give it to Kacey, who will also win.


sabre14: This one they will get right. Kaceys album was the most unique and well done record this year and I have a feeling the CMA's will see the same thing.







Single of the year

Should win: 


Florida Georgia Line, “Cruise” - MM, S14
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care”
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round”
Darius Rucker, “Wagon Wheel”


Will win:

Florida Georgia Line, “Cruise” - MM, S14
Tim McGraw feat. Taylor Swift and Keith Urban, “Highway Don’t Care”
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round”
Darius Rucker, “Wagon Wheel”



Markus: Say what you will about FGL or "Cruise", but it would be unfair to not give them single of the year.


sabre14: This was the biggest hit on all the charts this year, and sold like crazy. This one has to go to "Cruise"






Song of the year

Should win:


Lee Brice, “I Drive Your Truck”
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round” - MM, S14
Little Big Town, “Pontoon”
Darius Rucker, “Wagon Wheel”

Will win:

Lee Brice, “I Drive Your Truck” - MM
Miranda Lambert, “Mama’s Broken Heart”
Kacey Musgraves, “Merry Go ‘Round” - S14
Little Big Town, “Pontoon”
Darius Rucker, “Wagon Wheel”


Markus: Pretty good "Pontoon" aside. It's close for me between Lee's, Kacey's and Miranda's but I'll give "MGR" the slight edge. "IDYT" takes it though. It touched so many people.

sabre14: If this doesn't win It will be a travesty. Kaceys song was the best song in terms of writing a different impactful yet, putting it in a subtle way to get her message across, and I would think the voters will agree.
1 Comment

3 Up, 3 Down

5/24/2013

2 Comments

 
(Credit to 'Farce the Music' for this idea).

3 Up
Picture
Love and Theft- "If You Ever Get Lonely"

Easily their most mature single to date. Outstanding vocal harmonies. They have easily 2 of the most underrated voices in the genre. Killer country-pop.

Grade: A-

Picture
Keith Urban- "Little Bit Of Everything"

Ear candy? Yes. But man it's tasty. Keith Urban doing what he does best.

Grade: B

Picture
Dean Brody- "Dirt"

Cleverly written, well produced and fantastically sung. Love the idea of building a song around dirt. Genius. Brody remains Canadas best kept secret.

Grade: A



3 Down
Picture
Chris Young- "Aw Naw"

Youngs voice does not work for party songs. Ballads, mid-tempos, love songs, sure. But please leave the partying to Dierks, Blake, Luke and FGL next time. Thankyou. (At least it's well sung).

Grade: C-

Picture
Joel Crouse- "If You Want Some"

Sub-par lyrics and an average melody don't help, but the vocals+performance kill it. It doesn't even sound like he cares, so why should I care? Not to mention the nassaly vocals, which has worked numerous times, but Crouse doesn't have the belivability of Jon Pardi or Tyler Hubbard, nor the distinction of Eric Church or Jennifer Nettles.

Grade: D+

Picture
 Craig Morgan- "More Trucks Than Cars"

Backside of the city limit, water tower, power line, swimming holes, county fairs, ford truck, kickin' up dust, biscuits, gravy, waitress calls you baby (there's a new one!), hell ya, amen, yee'haw, city limit sign. Lol. He's desperate.

Grade: F


2 Comments

ACM Award Nominees+Predictions

2/20/2013

0 Comments

 
Picture
Entertainer

Should win:

Jason Aldean- MM
Blake Shelton
Miranda Lambert- GP
Luke Bryan
Taylor Swift


Will win:

Jason Aldean
Blake Shelton- GP
Miranda Lambert
Luke Bryan
Taylor Swift- MM

Markus:
Meh, went with Aldean because he released "Fly Over States". Swift will win due to fan-voting. 

Gator: Just because, despite her bad year, Miranda is still my favorite. Blake will because he just won't stop it seems.

Male Vocalist

Should win:

Luke Bryan
Jason Aldean
Eric Church- MM, GP
Toby Keith
Blake Shelton


Will win:

Luke Bryan
Jason Aldean
Eric Church- GP
Toby Keith
Blake Shelton- MM

Markus:
Church has released the best music, but I wouldn't bet against Shelton. I like the Toby Keith nom.

Gator: I agree Church has the best music but I think he will win because the ACM's can be pretty adventurous


Female Vocalist

Should win:

Taylor Swift
Miranda Lambert
Martina McBride
Carrie Underwood- MM, GP
Kacey Musgraves


Will win:

Taylor Swift
Miranda Lambert- MM
Martina McBride
Carrie Underwood- GP
Kacey Musgraves


Markus: Why is McBride even nominated? Anyways, I'm not an Underwood fan, but she has released some of the best music of her career, along with a great album. Too bad I can't see Lambert losing.

Gator: Carrie by far has the best vocals in the category and with her great commercial and critical year I think its hers to lose.


Duo

Should win:

Florida Georgia Line
Big & Rich
Thompson Square- MM
Sugarland
Love and Theft


Will win:

Florida Georgia Line- MM, GP
Big & Rich
Thompson Square
Sugarland
Love and Theft


Markus: TS has released "Glass" and "If I Didn't Have You". Two excellent singles. But FGL has dat "Cruise" momentum.

Gator: I don't think any should win and that they should combine this category with group but i suppose it will go to Florida-Georgia Line


Group

Should win:

Eli Young Band
Lady Antebellum
The Band Perry
Little Big Town- GP
Zac Brown Band- MM


Will win:

Eli Young Band
Lady Antebellum
The Band Perry
Little Big Town- MM, GP
Zac Brown Band


Markus: It's the LBT era now. So they'll win. But I'm rooting for ZBB all the way!

Gator: This time next year I'll be voting for The Band Perry most likely, but since it's not, I'll go with Little BIg Town because they've been good quality and great commercially.

Single

Should win:

Little Big Town- 'Pontoon'
Miranda Lambert- 'Over You'
Eli Young Band- 'Even If It Breaks Your Heart'
Eric Church- 'Springsteen'- MM, GP
Hunter Hayes- 'Wanted'


Will win:

Little Big Town- 'Pontoon'- MM, GP
Miranda Lambert- 'Over You'
Eli Young Band- 'Even If It Breaks Your Heart'
Eric Church- 'Springsteen'
Hunter Hayes- 'Wanted'


Markus: 'Springsteen' is by far my favorite. But I can't seem them passing on 'Pontoon' after the CMA's and Grammy's didn't. It's not like the ACM's have ever been creative.  

Gator: I like Church's the best but I don't think "Pontoon" is as bad as people try to make it out. I can handle it winning,


Song

Should win:

Miranda Lambert- 'Over You'
Eli Young Band- 'Even If It Breaks Your Heart'
Eric Church- 'Springsteen'- MM, GP
Lee Brice- 'A Woman Like You'
Hunter Hayes- 'Wanted'


Will win:

Miranda Lambert- 'Over You'- MM, GP
Eli Young Band- 'Even If It Breaks Your Heart'
Eric Church- 'Springsteen'
Lee Brice- 'A Woman Like You'
Hunter Hayes- 'Wanted'


Markus: 'Springsteen' is legendary, but will lose to 'Over You'. *sigh*.

Gator: One final nomination for "Over You" and one final victory. I've got to say it has grown on me with all this belated attention.


Vocal event

Should win:

Kelly Clarkson & Vince Gill- 'Don't Rush'- GP
Kenny Chesney & Tim McGraw- 'Feel Like A Rockstar'
Rascal Flatts & Natasha Bedingfield- 'Easy'- MM
Jason Aldean, Eric Church & Luke Bryan- 'The Only Way I Know'
David Nail & Sarah Buxton- 'Let It Rain'


Will win:

Kelly Clarkson & Vince Gill- 'Don't Rush'
Kenny Chesney & Tim McGraw- 'Feel Like A Rockstar'
Rascal Flatts & Natasha Bedingfield- 'Easy'
Jason Aldean, Eric Church & Luke Bryan- 'The Only Way I Know'- MM, GP
David Nail & Sarah Buxton- 'Let It Rain'


Markus: None of them blow me away, but 'Easy' is my fave. Though, I guarantee 'The Only Way I Know' will win.

Gator: I think Vince and Kelly are the best (and if this was the Grammy's it would have a chance) but the star power is too much to bypass here.


Album
 
Should win:

Taylor Swift- 'Red'
Eric Church- 'Chief'- MM
Carrie Underwood- 'Blown Away'- GP
Luke Bryan- 'Tailgates and Tanlines'
Little Big Town- 'Tornado'


Will win:

Taylor Swift- 'Red'
Eric Church- 'Chief'- MM, GP
Carrie Underwood- 'Blown Away'
Luke Bryan- 'Tailgates and Tanlines'
Little Big Town- 'Tornado'
 

Markus: 'Chief' is my fave and I also have a feeling it will win.

Gator: Underwood did some great stuff and was the biggest step forward, but I don't see her picking it up over Church.



New Artist

Should win:
 
Florida Georgia Line
Brantley Gilbert- MM
Jana Kramer - GP

Will win: 

Florida Georgia Line
Brantley Gilbert- MM, GP
Jana Kramer

Markus: Don't love any of them, but I love "More Than Miles", so I guess I'll go with Gilbert. Oh, he will win as well.

Gator: Jana is by far the most acceptable nominee and the most interesting one. While I'd love to see her deservingly win this, I see her fiancee stepping in for the victory.


Video

Should win:
 
Eric Church- 'Creepin'
Kacey Musgraves- 'Merry Go 'Round'- GP
Hunter Hayes- 'Wanted'
Little Big Town- 'Tornado'
Taylor Swift- 'We Are Never Ever Ever Getting Back Together'
Zac Brown Band- 'The Wind' - MM

Will win:

Eric Church- 'Creepin'- MM
Kacey Musgraves- 'Merry Go 'Round'- GP
Hunter Hayes- 'Wanted'
Little Big Town- 'Tornado'
Taylor Swift- 'We Are Never Ever Ever Getting Back Together'
Zac Brown Band- 'The Wind'
 
Markus: Lol. How can you not love the video for 'The Wind'? I also like the video for 'Merry Go Round' though. I think this will go to 'Creepin' but I could see 'Wanted' taking it as well.

Gator: I personally think that Musgraves' video was an eloquent depiction of her excellent single and the fact that she is even nominated is awesome. Her somewhat surprising nomination makes me think she could win it, but I would not be surprised if Hayes sneaks in with his boyish charm.
0 Comments

Single Reviews: Jerrod Niemann- "Only God Could Love You More" & Eric Church- "Like Jesus Does"

1/19/2013

1 Comment

 
Hahaha, get it? "Like JESUS Does" and "Only GOD Could Love You More". I'm hilarious.

Picture
It was inveitable that a single with an awesome musical arrangement was going to be Niemanns next single. All of Free The Music was awsome musical arrangements. So the instrumentals don't dissapoint.

The vocals are excellent. Niemann has a voice unlike anyone else on country radio today. So between the instrumentals and the vocals, you could easily say, "Yep. That's Jerrod Niemann.

The lyrics are nothing to write home about, but the engaging production and the believable performance make this his best since "What Do You Want" and one of the most interesting love songs in recent memory.

Grade: B+

Picture
When I first listened to 'Chief', "Like Jesus Does" was a standout. Want to know why? Here's why.

It bleeds with emotion, especially on the verses. The out-of-the-way production allows Church's underrated skills as a vocalist to shine and it's as well written as a love song could possibly be.

Grade: A-

1 Comment

    Like us on Facebook! Also, follow us on Twitter @TICMWeebly!

    Writers

    Markus Meyer
    A country music fan from B.C., Canada. You can find his work at theshotgunseat.com. You can follow Markus on twitter at @Markus_Meyer27.

    Contributors

    Chris Baggs
    A country music and Buffalo Sabres fan from Buffalo.

    Zackary Kephart
    A country music fan from Buffalo, New York. 
    ​
    Comment Policy

    TICM is dedicated to the respect of readers and authors, and their opinions. Any comments that contain derogatory language will be deleted.
    ​

    More Country Music Content:

    All Access
    ​B-Sides & Badlands
    Country Exclusive
    ​
    Country Perspective
    Country Universe
    Farce the Music
    ​Grady Smith on Country
    Highway Queens
    Pulse Music Board
    Queens Of Country
    Roughstock
    Saving Country Music
    Shore2Shore Country
    The Shotgun Seat
    ​The Musical Divide
    ​The Word

    Tweets by @Markus_Meyer27

    Categories

    All
    3 Up 3 Down
    5 Second Single Reviews
    5 Second Single Reviews
    Aaron Watson
    Alan Jackson
    American Aquarium
    Ash Bowers
    Ash Bowers
    Ashley Campbell
    Ashley McBryde
    Ashley Monroe
    A Thousand Horses
    Austin Webb
    Autumn Hill
    Awards
    Bebe Rexha
    Best Of 2012
    Big & Rich
    Billy Currington
    Blackjack Billy
    Blake Shelton
    Blanco Brown
    Brad Paisley
    Brantley Gilbert
    Brett Eldredge
    Brett Young
    Brooks & Dunn
    Brothers Osborne
    Cam
    Canaan Smith
    Candi Carpenter
    Carly Pearce
    Carrie Underwood
    Casey James
    Cassadee Pope
    Chad Brownlee
    Charlie Worsham
    Chase Bryant
    Chase Rice
    Chris Cagle
    Chris Janson
    Chris Lane
    Chris Stapleton
    Chris Young
    Chris Young
    Cole Swindell
    Colt Ford
    Craig Campbell
    Craig Morgan
    Craig Morgan
    Dallas Smith
    Danielle Bradbery
    Dan + Shay
    Darius Rucker
    David Lee Murphy
    David Nail
    Dean Brody
    Devin Dawson
    Dierks Bentley
    Doc Walker
    Dustin Lynch
    Dylan Scott
    Easton Corbin
    Edens Edge
    Eli Young Band
    Eric Church
    Eric Paslay
    Faith Hill
    Florida Georgia Line
    Florida Georgia Line
    Frankie Ballard
    Garth Brooks
    Gary Allan
    George Strait
    Gloriana
    Greg Bates
    Hayden Panettiere
    Hunter Hayes
    Ingrid Andress
    Jake Owen
    Jake Owen
    James Wesley
    Jana Kramer
    Jason Aldean
    Jason Aldean
    Jason Blaine
    Jason Mitchell
    Jennifer Nettles
    Jerrod Niemann
    Joe Diffie
    Joel Crouse
    Joe Nichols
    Joey Hyde
    John Mayer
    Jon Pardi
    Jordan Davis
    Justin Moore
    Kacey Musgraves
    Kane Brown
    Karen Fairchild
    Keith Urban
    Kelleigh Bannen
    Kellie Pickler
    Kelly Clarkson
    Kelsea Ballerini
    Kenny Chesney
    Kip Moore
    Kristian Bush
    Lady Antebellum
    LANCO
    Laura Bell Bundy
    Lauren Alaina
    Leann Rimes
    Lee Brice
    Lindsay Ell
    Little Big Town
    LoCash
    Locash Cowboys
    Lonestar
    Love And Theft
    Luke Bryan
    Luke Combs
    Maddie & Tae
    Maggie Rose
    Maren Morris
    Martina Mcbride
    Michael Bublé
    Michael Ray
    Mickey Guyton
    Midland
    Miranda Lambert
    Montgomery Gentry
    Mo Pitney
    Morgan Wallen
    Nashville
    Natasha Bedingfield
    Nelly
    News
    Niko Moon
    Old Dominion
    Parmalee
    Pat Green
    Pistol Annies
    Raelynn
    Rainey Qualley
    Randy Houser
    Randy Rogers Band
    Rascal Flatts
    Riley Green
    Robert Counts
    Rodney Atkins
    Ronnie Dunn
    Runaway June
    Russell Dickerson
    Sam Hunt
    Sara Evans
    Sarah Buxton
    Sarah Darling
    Scotty McCreery
    Seth Ennis
    Shania Twain
    Sheryl Crow
    Single Reviews
    Single Reviews
    Single Round Up
    Striking Matches
    Sugarland
    Sunny Sweeney
    Tate Stevens
    Taylor Swift
    Tebey
    Tenille Townes
    The Band Perry
    The Chicks
    The Civil Wars
    The Farm
    The Henningsens
    The Last Bandoleros
    Thomas Rhett
    Thompson Square
    Tim Hicks
    Tim Mcgraw
    Toby Keith
    Todd O' Neill
    Trace Adkins
    Train
    Travis Denning
    Tucker Beathard
    Turnpike Troubadours
    Tyler Farr
    Tyminski
    Vince Gill
    Walker Hayes
    Walker McGuire
    William Michael Morgan
    Willie Nelson
    Worst Of 2013
    Worst Of 2014
    Worst Of 2020
    Year End Countdowns
    Zac Brown Band

    Archives

    December 2022
    November 2022
    September 2022
    July 2022
    December 2021
    August 2021
    December 2020
    April 2020
    December 2019
    November 2019
    September 2019
    April 2019
    January 2019
    August 2018
    June 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    July 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    July 2016
    June 2016
    April 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012

Powered by Create your own unique website with customizable templates.
  • Home
  • Album Reviews
  • Other Stuff
  • Archives